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...mayor of Chicago admitted that Yummy had slipped through the cracks. Just what cracks were those? The sharp crevices that trap children and break them into cruel little pieces. Chicago's authorities had known about Yummy for years. He was born to a teenage addict mother and a father now in jail. As a baby he was burned and beaten. As a student he often missed more days of school than he attended. As a ripening thug he shuttled between homes and detention centers and the safe houses maintained by his gang. The police arrested him again and again...

Author: /time Magazine | Title: CRIME: Murder In Miniature | 9/19/1994 | See Source »

...arts and media editor, Collins will indulge his passion for culture -- high and low -- full time. A film addict, a native New Yorker who spent his adolescence in downtown jazz clubs and whiles away his grownup years at the opera, Collins brings an intellectually charged hipness to TIME's cultural coverage. "I'm interested in what you might call the culture business and the decisions that are made at movie studios and publishing houses and record companies that affect what people see and read and listen to," he explains...

Author: /time Magazine | Title: To Our Readers: Apr. 18, 1994 | 4/18/1994 | See Source »

...most seductive thing about prohibition is that it keeps us from having to confront all the other little addictions that get us through the day. It's the NutraSweet in the coffee we use to wash down the chocolate mousse; a dad's "Just say no" commandments borne on martini-scented breath. "Don't do drugs," a Members Only ad advises. "Do clothes." Well, why "do" anything? Why not live more lightly, without compulsions of any kind? Then there's TV, the addiction whose name we can hardly speak -- the poor man's virtual reality, the substance-free citizen...

Author: /time Magazine | Title: Kicking the Big One | 2/28/1994 | See Source »

When cornered, the prohibition addict has one last line of defense. We can't surrender in this war, he or she insists, because we'd be sending the "wrong message." But the message we're sending now is this: Look, kids, we know prohibition doesn't work, that it's cruel and costs so much we don't have anything left over with which to fight the social causes of addiction or treat the addicts, but, hey, it feels good, so we're going to keep right on doing it. To which the appropriate response is, of course...

Author: /time Magazine | Title: Kicking the Big One | 2/28/1994 | See Source »

However, while Koestenbaum contends that the opera queen is an increasingly rare species in the post Stonewall world, that the tragic campiness of the opera "addict" is dated, he in no way gives the impression that opera serves little function in a sexually open world. Instead, the relationship between song and the listener is put forth as a vastly complex set of responses that touch on all sorts of unexplored ambiguities in the human psyche...

Author: By Jefferson Packer, | Title: The Phantoms of Opera's Divas | 2/24/1994 | See Source »

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