Word: addison
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Dates: during 1950-1959
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...left his home town of Halle at 18, had spent three years in Italy schooling himself in opera and oratorio. On his first visit to England, he patched Rinaldo together in a scant two weeks. Based on the poem by Torquato Tasso (1544-1595), the opera was derided by Addison in The Spectator for its "Painted dragons spitting wildfire, and enchanted chariots drawn by Flanders mares." But its lush melodies were just what the public wanted: it became the first real operatic hit in English history. Its success won Handel a ?200 annual pension from the crown...
Started by Pope St. Gelasius in the 5th century, the Index Librorum Prohibitorum today generally condemns books on religion not approved by Catholic authorities and books "against faith and morals," including all Communist books. Specifically condemned are some 6,000 works by 4,000 authors (among them: Addison, Balzac, Dumas, father and son, Kant, Spinoza, Voltaire), which Catholics may not read without special permission...
Munch's exclusion of several soprano and alto parts, however, seemed not such a bad idea, since Saramae Endich and Florence Kopleff turned out to be not in the same league as Adele Addison and Martha Lipton, who often appear with the B.S.O. The other soloists, however, performed excellently. As the Evangelist, Hughes Cuenod stood out, his lyric tenor voice reaching every corner of Symphony Hall, although he began to tire in part two. Mack Harrell sang Jesus with great expressiveness; the most tender moment of the whole afternoon as it should have been, was his "Eli, Eli, lama sabachthani...
Died. William Addison Dwiggins, 76, top-ranking U.S. type designer, who produced the clean, legible Metro newspaper type and the Caledonia and Electra book faces, fulminated at U.S. banknote design: "It is worth its face in gold, but my God, what a face!", wrote the authoritative book, Layout in Advertising; after a stroke; in Hingham, Mass...
Cranks (by John Cranko; music by John Addison) is a pint-sized English revue with a Jeroboam's worth of frills. Three men and a girl squeal or kneel or sit with their backs to the audience, climb things while they rhyme things, weave about or dance or contort while singing ballads or blues. In a welter of shifting lights, one revue number slithers into the next while the performers act as their own stagehands...