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...days when the work upon my back has weighed like the world upon Atlas, the façade of Widener Library, looming closer with each step, has often seemed to be opening its palatial, ravenous jaws to swallow me whole for untold hours. Other days, particularly in winter when the icy wind rips through Tercentenary Theater and Widener’s windows exude a warm, promising glow, walking into the library is like entering a warm embrace. Whether monstrous or motherly, it is this fickle-tempered friend that has nonetheless been a constant presence in my four years at Harvard...

Author: By Anna E Sakellariadis | Title: Herr Widener | 5/26/2010 | See Source »

...performance of Green as the worshiped teacher and mentor carries this tension and gives weight to the disparity between the beautiful and the miserably ugly. Miss G acts the part of the charismatic leader, the model of enlightened womanhood to her girls, but the façade is never fully convincing. There is something lurking behind the smile. The keen observer knows from the beginning, owing to the tortured duality of Green’s acting, that Miss G is no Jean Brodie—she lacks that famous character’s intelligence, refinement, and life-experience. The shallow...

Author: By Michael A. Yashinsky, CONTRIBUTING WRITER | Title: Cracks | 4/27/2010 | See Source »

While some believe that Obama’s proposal could free the country from dependence on foreign oil, The United States’ oil and gas reserves simply do not compare to the Middle East’s. Even suggesting that they do is a political façade. Rather than delude Americans into thinking that two to three years of (potentially forbiddingly expensive) oil and gas aids the energy crisis, Obama needs to focus on greater investment in sustainable, alternative energy solutions. The real problem lies in the United States’s heavy reliance on oil and fossil...

Author: By The Crimson Staff | Title: Don’t Drill for the Bill | 4/7/2010 | See Source »

...façade does occasionally crack. Especially during the play’s less frantic segments, the actors seem to lose the thread of carefully-constructed madness, and become far less convincing as a result. The slightest note of hesitation in such a surrealistic production is enough to shatter the necessary suspension of disbelief. But since so much of “Leah” is spent in a high-energy, melodramatic atmosphere, these slips are more infrequent blemishes than a serious problem...

Author: By Daniel K. Lakhdhir, CRIMSON STAFF WRITER | Title: Absurdity Obscures Meaning, Not Experience | 3/30/2010 | See Source »

...entire career at Skidmore, Owings & Merrill. In 1970 the 100-story John Hancock Center was a revolution in skyscraper design. Working with Skidmore's brilliant engineer Fazlur Khan, Graham conceived a tapering tower with an exterior system of structural supports, including massive X-braces that made its faade a knockout emblem of architectural force. In 1974 Graham and Khan produced another masterpiece with the Sears Tower (now the Willis Tower). Once the world's tallest building, it drew the severe black box of Mies van der Rohe into the setback forms of older skyscrapers like the Empire State Building...

Author: /time Magazine | Title: Bruce Graham | 3/22/2010 | See Source »

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