Word: adieux
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Dates: during 1950-1959
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...ADIEUX (244 pp.) -François-Regis Basflde -Simon & Schuster...
Even for those lucky enough to have gotten into one performance, the other productions probably still remain a mystery. Those who saw the program that included Les Fausses Confidences and Les Adieux were decidedly the luckiest. But no one having gone just one night will really have a bad word for M. Barrault and company. The production of the Misanthrope was exciting, if only because of the gracefulness and wit of French acting. While this story of the overly just and truthful man in a foppish society is meaningful and often full of poetic beauty, the plot is not wholly...
...Adieux that proved that M. Barrault's purpose is more than just putting on plays. In this most delightful conclusion of the Company's program, the whole cast appeared in formal dress to recite poetry and display their art in its purest form, without scenery, costumes or an imposing vehicle. They ran the gamut from the most subtle verbal effects to no words at all. Barrault's final pantomimes were the epitome of freedom within a highly stylized form. Compared to Marcel Marceau his mime was less delicate and less detailed but it had energy, spontaneity and excitement that Marceau...
...brilliant young pianist zipped vivacissimamente through the final movement of Beethoven's "Les Adieux" sonata. Impeccable in white tie and tails, he bowed to the storm of applause that swept Carnegie Hall, dutifully played three encores. Later that night, he could be seen walking down neon-gaudy Broadway. Just five blocks south of the august concert hall, he ducked into a cellar. Within a few minutes Concert Pianist Friedrich Gulda was on the bandstand, amid the smoke and clatter of Broadway's famed Birdland nightclub, playing jazz-cool, glittering and poignant as icicles. Sitting in with the Modern...
Pianist Backhaus, square-jawed and bulky, played five sonatas by Beethoven with the virility and technique of a man half his age. He began with the tried & true Pathétique, swirled through the Tempest, rippled through Les Adieux, produced a playful Opus 79 and summed everything up with a lofty performance of Opus III. "One of the greatest evenings ... of Beethoven's piano music [in a quarter century]," raved the New York Times's Olin Downes. "Mr. Backhaus was young with Beethoven...