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Word: adler (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Damn Yankees (original Broadway cast; Victor LP). Gwen Verdon, whose dancing warms up this show onstage, duplicates the favor vocally for the record. It needs her. Except for the rowdy tune called Whatever Lola Wants (TIME, May 16). nothing quite matches the lines, written by the same team (Richard Adler-Jerry Ross), for last year's Pajama Game...

Author: /time Magazine | Title: Music: New Pop Records, Jun. 27, 1955 | 6/27/1955 | See Source »

Julius Ochs Adler, first vice president of the New York Times . . . LL.D...

Author: /time Magazine | Title: Education: Kudos, Jun. 27, 1955 | 6/27/1955 | See Source »

Damn Yankees (book by George Abbott and Douglass Wallop; music & lyrics by Richard Adler and Jerry Ross) involves most of the team that turned out The Pajama Game. This time baseball is their target, and with pretty nearly as happy results. Under George Abbott's direction, there is a constant sense of zip, an occasional effect of explosion. There is plainly a belief that all music aspires toward a brass band's exuberance, all locomotion toward a fire engine's clanging speed. And there is a very proper belief that one Gwen Verdon is the equal...

Author: /time Magazine | Title: The Theater: New Musical in Manhattan, may 16, 1955 | 5/16/1955 | See Source »

...rate Devil. Disdaining pitchfork theatrics, he is a provokingly cool customer even when buying souls, with a tart, casual manner and a fine, stylish unwholesomeness. As Joe Hardy. Stephen Douglass does all that is required of him - bats .524 for the Senators, sings very well for the show. Richard Adler-Jerry Ross songs and Bob Fosse's dances have hardly more than the outdoor virtues, but they have the right rousingness and tingle. And William and Jean Eckart's sets are amusing and crisp...

Author: /time Magazine | Title: The Theater: New Musical in Manhattan, may 16, 1955 | 5/16/1955 | See Source »

...scenery and costumes by William and Jean Eckart were authentic when they must be, fantastic whenever possible. The entire production had all the markings of Adler-Ross; George Abbett's flawless timing and pacc, a banjo in the orchestra, and a score of pearls dangling over a unique script. Damn Yankees, it seems safe enough to wager, will be around when the hurly burly's done, when the Series is lost...

Author: By Arthur J. Langguth, | Title: Damn Yankees | 4/14/1955 | See Source »

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