Word: adler
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Dates: during 1950-1959
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...American Architecture [TIME, Sept. 29] is indeed provocative. I used to eat dinner at Frank Lloyd Wright's Robie House ("the Battleship") every night during the summer of 1948, and often wondered whether I was at the University of Chicago or at sea. That was during the Hutchins-Adler Great Books era, and it subsequently appeared that being at the University of Chicago then, or at sea, was more or less one and the same thing. The architectural magnificence of the Robie House still escapes me. Like Quasimodo, it is imposing but grotesque. I think the master...
Role Fitters. It was almost easy to fit actors to the roles as they emerged in the script. Actor Thomas Gomez was a natural; without a bit of special makeup he was Georgy Malenkov's double. Luther Adler fitted smoothly into place as Molotov, Oscar Homolka as Khrushchev, E. G. Marshall as Beria. Stalin was harder to cast. After considering Laurence Olivier and José Ferrer, Coe decided on Melvyn Douglas, whom he had admired as Clarence Darrow in Inherit the Wind...
Among the runners-up, Dean of U.S. Architecture Frank Lloyd Wright picked up enough votes to place a fourth building, Manhattan's still unfinished Solomon R. Guggenheim Museum, in 18th place. Adler & Sullivan added St. Louis' 1890 Wainwright Building (eighth) and Chicago's 1889 Auditorium (13th). Ludwig Mies van der Rohe won tenth place with Manhattan's House of Seagram (TIME, March 3) and 24th with his Lake Shore Drive apartments in Chicago. Famed 19th century Architect Henry Hobson Richardson also rated two buildings: Boston's 1877 Trinity Church (14th) and Chicago's since...
...Adler & Sullivan's Carson Pirie Scott department store (1899-1904), at State and Madison Streets in Chicago-Louis Sullivan's dramatic step forward in the development of the skyscraper...
...great moments, and it provides an ideal vocal showcase for a dramatic soprano. In the last five years, Maria Callas has virtually made the role over in her own fiery image (she will sing it again in November with the Dallas Civic Opera). But San Francisco Opera Director Kurt Adler heard Soprano Farrell sing Medea in concert form, decided to give the opera its first U.S. production as the curtain raiser for San Francisco's six-week season. The production is tailored to make the most of Farrell's opulent voice and to minimize the defects of acting...