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Perhaps no educator willing to rush into print thinks as little of U.S. education as Stringfellow Barr. Now professor of humanities at Rutgers, he has taught at his alma mater, the University of Virginia, pioneered (with Hutchins and Adler) the Great Books idea, served as president of Great Books-oriented St. John's College in Maryland. At 60, "Winkie" Barr has committed a first novel. Not surprisingly, it is about life among professors, and even less surprisingly, it says that U.S. professors, students, college presidents and trustees are a sorry...

Author: /time Magazine | Title: Books: Winkle in Academe | 1/6/1958 | See Source »

Sentiment & Flair. Much of the credit for San Francisco's success goes to Vienna-born General Director Kurt Herbert Adler, 52, who took over the company three years ago, after the death of Impresario Gaetano Merola. A sentimental Neapolitan, Merola had built up the company and fenced it in with a traditional repertory. But Adler inherited not only a flourishing company but a sophisticated audience ready for new and different opera...

Author: /time Magazine | Title: Music: San Francisco Smash | 10/28/1957 | See Source »

...productions of Cherubini's short The Portuguese Inn, and Honegger's Joan of Arc at the Stake, both performed for the first time on a U.S. opera stage. The next year he followed up with the U.S. premiere of Sir William Walton's Troilus and Cressida. Adler also revived such difficult classics as Verdi's Macbeth and Wagner's Flying Dutchman, gradually building up his own high-caliber stable of singers, including Germany's Elisabeth Schwarzkopf, Vienna's Leonie Rysanek, British Tenor Richard Lewis, and a strong group of young American discoveries. This...

Author: /time Magazine | Title: Music: San Francisco Smash | 10/28/1957 | See Source »

Misfires & Shrugs. One reason for such achievements: Adler knows music as few opera managers do: he used to be a conductor. A man of charm and inexhaustible energy, Adler spends weeks each winter combing Europe for talent, works 18 hours a day during the season. The logistics for his short season are tricky, with 31 productions of twelve operas scheduled in the San Francisco area in 38 days, and 16 performances of 13 operas set for 17 days in Southern California...

Author: /time Magazine | Title: Music: San Francisco Smash | 10/28/1957 | See Source »

During his regime Adler has at times misfired: last year's Boris Godunov, for instance, was a murky failure. But how well Adler has done is amply demonstrated by the fact that last month he and his company casually shrugged off cancellations by Sopranos Maria Callas and Antonietta Stella, promptly went on to give San Francisco what may well be its most stimulating opera season to date...

Author: /time Magazine | Title: Music: San Francisco Smash | 10/28/1957 | See Source »

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