Word: ado
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...Much Ado About Nothing. Shakespeare's play is a bore in everything except its prickly-pear love story, and this becomes a total delight as played by Sir John Gielgud and Margaret Leighton...
...Much Ado About Nothing (by William Shakespeare) has a contemptible hero, a motiveless villain, a tediously improbable main plot. Happily, what academics term the subplot-the prickly-pear romance of Benedick and Beatrice-is one of the most delightful things in all Shakespeare. And it can never have seemed more a delight than when John Gielgud and Margaret Leighton are swapping insults and moving blindfolded toward the altar...
...final offering of the C.D.F. was Much Ado About Nothing, with Sir John Gielgud as both Benedick and director. Gielgud gave us a clean, crisp, meticulous production, beautifully and symmetrically staged in keeping with the symmetrical, Renaissance style of the play. Having played Benedick off and on for 28 years, he gave a performance that was marvelously nuanced. Still, as he himself has admitted, he is not an ideal Benedick. The part demands more brio than he has inside him to give. He plays the clarinet when he should be blowing a trumpet. Yet he was careful to choose...
...under such unpredictable circumstances. William Morris Hunt '36, the C.D.F.'s Executive Producer, has announced that 80,000 persons attended the summer's offerings. The major remaining problem for the new Theatre is its acoustics. During the summer several amplification arrangements were tried; the one used for Much Ado, the sole proscenium production, turned out to be the best. But the acoustics are still not wholly satisfactory; perhaps the solution demands a concave roof and solid, airtight walls...
...Group 20 Players had a particularly fine season--their seventh--with only one lapse out of a schedule of five plays. By coincidence they opened with the same work as the C.D.F.'s finale: Much Ado. It was directed by Ellis Rabb, who joined the company for the first time. Rabb is one of the finest Shakespearean actors anywhere; though still very young, he is one of a handful who can boast of having acted in all thirty-seven of the Bard's plays. He provided a warm, even-keeled production on William D. Roberts' stunning, three-story set, complete...