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SUBWAYS ARE FOR SLEEPING, a new musical comedy by Jule Styne, Betty Comden, and Adolph Green, at the Colonial...

Author: NO WRITER ATTRIBUTED | Title: CRIMSON WEEKLEY CALENDAR | 12/1/1961 | See Source »

Sculptor David Smith, whose pieces are among the best of welded sculpture; and Painter Adolph Gottlieb, whose canvases -usually some sort of calm circular form hovering near a frenetic, torn-looking shape-are getting to be a bit repetitious. Curiously, it was the two second-prize winners ($1,500) who simultaneously made their debut in the big time...

Author: /time Magazine | Title: Art: Pittsburgh Prizewinners | 11/3/1961 | See Source »

...Octopus. One of his parishioners once said that Dr. Sockman "looks like Adolph Menjou and acts like John Wesley." The urbane six-footer, in his Homburg and pinstripe, and the warmly moving preacher who crowds his church with 1,500 people of a Sunday, are both a far cry from the farm boy in Mount Vernon, Ohio, whose first speaking experience was when he used to bring cows in at night from a dark wood, and "to keep up my courage, I talked out loud to them." That was not necessarily the road to eloquence; some years later he made...

Author: /time Magazine | Title: Religion: Preacher on Park Avenue | 10/6/1961 | See Source »

...week 85 that had been on loan for a one-collector show at Basel's Kunsthalle were back where dapper, 63-year-old Dotremont could vibrate to them. In addition to European moderns such as Dubuffet and Mathieu, there was a great acreage of Americans, notably Mark Tobey, Adolph Gottlieb, Mark Rothko, Willem de Kooning, Clyfford Still, Franz Kline, Robert Motherwell, Philip Guston, Joan Mitchell, Dotremont's canon: "Every painter turns out hundreds of works in his lifetime. I try to pick the masterpieces...

Author: /time Magazine | Title: Art: Buying American | 8/11/1961 | See Source »

...standing next to an abstraction by Joan Mitchell. Here and there a Charles Burchfield or an Andrew Wyeth appears; there is a convulsed semi-abstraction by Larry Rivers, a grisly head by Leon Golub, a surrealist landscape by Kay Sage, a calligraphic work by Mathieu and splashy one by Adolph Gottlieb. An executive vice president who insisted that all he wanted was a print of the port of New York has-and highly prizes-a fiery black and red abstraction by Jack Youngerman...

Author: /time Magazine | Title: Art: Wall Street Treasure | 6/30/1961 | See Source »

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