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The exhibition spans 50 years of French art, from an early Monet, Lady in the Garden, Sainte-Adresse, 1867, to a superbly rigorous and almost abstract design of what appears to be architectural motifs-pillars, blocks, steps-painted by Fernand Léger: Composition, 1918 (see color). To look at...

Author: /time Magazine | Title: Art: Riches from Russia | 4/2/1973 | See Source »

Les Murs ont la Parole n'atteint peut-etre toute son importance documentaire que pour ceux qui sont inities a la pensee de Stanley Hoffmann, mais memes les non-inities y trouveront de quoi s'amuser et s'emouvoir: ce "journal mural" d'une revolution estudiantine manquee nous adresse tous...

Author: By Nina Bernstein, | Title: French Graffiti | 11/16/1968 | See Source »

The art market is still roaring upwards and testing previous highs. Last week the center of action was Manhattan's Parke-Bernet Galleries, where one blue chip found a dynamic investor willing to bid it up to a new record price. The buyer was California Collector-Industrialist Norton Simon...

Author: /time Magazine | Title: The Market: New Record | 10/18/1968 | See Source »

Almost as soon as Monet's The Terrace at Ste. Adresse was knocked down to a London dealer for $1,411,200, thus setting an auction record for an impressionist painting (TIME, Dec. 8), the rumor spread that the buyer was the Metropolitan. Making it official, President Arthur A...

Author: /time Magazine | Title: Museums: Monet & the Phony Pony | 12/15/1967 | See Source »

When Claude Monet painted The Terrace at Ste. Adresse in 1866, he was a young unknown of 25, visiting at the family villa outside Le Havre. There he painted his father sunning on a poppy-laden terrace with pennants flapping overhead and the bustling harbor beyond. To critics today, the...

Author: /time Magazine | Title: The Market: Double &Triple | 12/8/1967 | See Source »

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