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Word: adriana (lookup in dictionary) (lookup stats)
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...admission, Adriana was "a real beauty" with "firm straight legs, curving hips, a long back, narrow waist and broad shoulders. Mother said . . . there was not a figure like mine in all Rome." Adriana liked men, all kinds and any age, with an earthy nymphomania that inevitably took her into prostitution...

Author: /time Magazine | Title: Books: For Love or Money | 11/21/1949 | See Source »

...Adriana is the ripe, first-person singular heroine of The Woman of Rome, a long, languorous novel by Italy's most trumpeted living writer, Alberto Moravia. U.S. readers may well ask what all the critical tizzy is about. In The Woman of Rome, Moravia has blended poverty and lust with considerable technical skill, but, given Adriana's temperament, his bid for deeper meanings, e.g., human helplessness caught in life's iron grip, was doomed from the start...

Author: /time Magazine | Title: Books: For Love or Money | 11/21/1949 | See Source »

...Business Sense. Moravia dwells on only five years of Adriana's life in mid-'30s Rome. Already luscious at 16, she lived in a depressing slum with her widowed, seamstress mother. Mama had no intention of letting her daughter get tied up with hard work or tied down to marriage with a man of her class. She got her a job as a model, made it clear that she didn't mind Adriana sleeping out "as long as they paid her." After a couple of non-professional affairs, streetwalking followed fast...

Author: /time Magazine | Title: Books: For Love or Money | 11/21/1949 | See Source »

...Manhattan, to supervise her $200,-ooo suit against Disney Productions, Ltd. and RCA Manufacturing Co., went glucose-voiced Adriana Caselotti, who spoke as Snow White in Snow White and the Seven Dwarfs. She charged breach of contract, said her voice had been used on phonograph records without her consent, that she had been paid a pittance of less than...

Author: /time Magazine | Title: People, Dec. 25, 1939 | 12/25/1939 | See Source »

...must go to the female sex; Wynn Murray, as Luce, is grand both in her songs and in her interpretation of comedy; Mary Wescott, as Luciana, is likeable though her voice is a bit thin compared to the others; supreme in looks and in singing is Muriel Angelus, as Adriana. Too much cannot be said in her praise, for her appearance is a delight to the eyes and her voice a treat to the ears. Betty Bruce, however, as the Courtezan, runs Miss Angelus a close second; her dancing gives a life to the show whenever she performs...

Author: NO WRITER ATTRIBUTED | Title: The Playgoer | 11/8/1938 | See Source »

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