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What emerged from the latest testimony and the hundreds of pages of declassified documents released by Kennedy is a disheartening story. Almost every time the old Atomic Energy Commission was asked by the military to permit troops closer to ground zero or increase their radiation exposure, the AEC ignored its own safety standards and acquiesced. Items...

Author: /time Magazine | Title: Nation: Rediscovering the Past | 7/2/1979 | See Source »

...March 1952, calling the regulation "tactically unrealistic," the Pentagon pressed the AEC to relax its rule that soldiers must be kept at least seven miles away from ground zero. Though the AEC's Division of Biology and Medicine warned of eye damage and burns, though not cancer, its Division of Military Application allowed the troops within four miles. The military's reasoning: the soldiers could more easily "exploit the enemy's position" after the blast...

Author: /time Magazine | Title: Nation: Rediscovering the Past | 7/2/1979 | See Source »

...that seeks to use every available means of expression. Just as in the music, the Art Ensemble attains their visual goal through the highly personal contributions of the individual members; Mitchell, in the standard dungarees and open-collar shirt of the jazzman, is as much a part of the AEC tableau as is Moye in his coolie hat and war paint...

Author: By Paul Davison, | Title: 'Great Black Music' Comes of Age | 5/10/1979 | See Source »

...most consciously animated. During a drum solo he may turn his back and raise his arms as if in supplication or approach a microphone as if to sing but content himself with making faces at the levice. It is appropriate that the most memorable moments from an AEC concert combine musical and extra-musical elements--Bowie wheeling around to release an arresting snarl, Mitchell picking up his clarinet to play a single note, Jarman filling out the harmony of an ornate fanfare by putting two saxophones to his lips at once. Great Black Music has room for all this...

Author: By Paul Davison, | Title: 'Great Black Music' Comes of Age | 5/10/1979 | See Source »

WITH COVER STORIES in both Downbeat and Musician and a new album (NiceGuys) on ECM--the label that has successfully promoted the likes of Keith Jarrett and Pat Methaney--the AEC is riding a new crest of public interest and acceptance. But as Lester Bowie comments, there has always been a receptive audience for the group's work, and the size of that audience is of no great consequence. The music which so excites critics today is essentially unchanged since the days when the Art Ensemble played for groups of ten or fifteen devotees back in Chicago. Through years...

Author: By Paul Davison, | Title: 'Great Black Music' Comes of Age | 5/10/1979 | See Source »

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