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Word: aeolian (lookup in dictionary) (lookup stats)
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Walter Damrosch and his New York Symphony Orchestra sought volume and found it-volume in seating capacity, not sound. Last week they opened their Sunday concerts not in their accustomed Aeolian Hall but in Mecca Auditorium. The difference is this: 1,200 seats v. 3,700. Mr. Damrosch pronounced the acoustics of Mecca...

Author: /time Magazine | Title: Music: Mecca | 11/9/1925 | See Source »

...Pierian is planning for its spring trip a series of concerts to be given in the different cities between Boston and New York, concluding the trip with two concerts in Aeolian Hall...

Author: NO WRITER ATTRIBUTED | Title: PIERIAN GIVES ANNUAL BRATTLE HALL CONCERT | 3/4/1925 | See Source »

There will also be a spring trip this year, with several concerts in cities between Boston and New York, and ending with a performance in Aeolian Hall, New York. Last year the trip was a great success. At every concert enthusiastic audiences crowded the halls to the door...

Author: NO WRITER ATTRIBUTED | Title: PIERIAN PLANS CONCERTS DURING SPRING SEASON | 2/10/1925 | See Source »

Sixteen candles, divided eight and eight in two towering candelabras, flanked, on the stage of Aeolian Hall, Manhattan, the sleek black bulk of a pianoforte. An audience waited, marveling, expectant. The stage grew dark. An attendant appeared, tiptoed to the candelabras, lit each candle in turn with a glimmering taper. Scarce breathed the audience now, so grave, so holy, was the sight. A young woman in a rose-colored frock suddenly detached herself from the gloom, stood bowing in the soft-lustre before her instrument. She was Marie Leschetizky, final wife of the late Theodor Leschetizky, famed Viennese music teacher...

Author: /time Magazine | Title: Music: Leschetizky | 1/26/1925 | See Source »

...stage of Aeolian Hall, Manhattan, was set for a concert. On it loomed no pianoforte's harp-shaped shadow; no fiddlers tried their strings; no brisk conductor raised his arm. It was bare as Mother Hubbard's cupboard. At the back of this bare stage, there stood a huge screen, black-bordered; down by the footlights were certain metal boxes, each topped with a keyboard of sliding buttons. Before the concert began, a man made a speech. He was Thomas Wilfred, Danish singer, who invented the instrument so curiously composed of the metal boxes, the great screen...

Author: /time Magazine | Title: Music: Clavilux | 1/5/1925 | See Source »

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