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...G.I.s outfitted in fresh fatigues for the impending visit. Artillery pieces were moved to drier ground, a pathway and railing were constructed to facilitate inspection of an enemy arms cache and enclosures were erected around open-air latrines to provide VIP privacy. The visitors were treated to a spectacular aerial bombardment of a nearby hillside, although no one claimed that there were enemy troops on it. A colonel called the attack "reconnaissance by fire...

Author: /time Magazine | Title: Nation: No Confidence on Cambodia | 6/22/1970 | See Source »

...seaport of Chimbote lay in ruins. The departmental capital of Huarás was practically destroyed. The beautiful resort city of Yungay, at the foot of towering Mount Huascarán, all but disappeared, like a modern Pompeii, beneath a layer of mud. When the government distributed an aerial photograph of the morass, the picture had to be labeled "Aqui estuvo Yungay" -Yungay was here. From the air, nothing was visible but the tops of four palm trees that had stood in the main square, the Plaza de Armas, and a white statue of Jesus in the cemetery...

Author: /time Magazine | Title: World: Infernal Thunder Over Peru | 6/15/1970 | See Source »

Died. Albert Lamorisse, 48, French film maker (The Red Balloon, Stowaway in the Sky) whose aerial cinematics in high-spirited childhood fables enraptured international audiences in the '50s and '60s; when an Iranian army helicopter from which he was shooting a documentary hit a power line and crashed near Teheran...

Author: /time Magazine | Title: Milestones: Jun. 15, 1970 | 6/15/1970 | See Source »

...careers through the defenseless. The Chaplain (Anthony Perkins) is chewed out for not writing inspirational sermons that will gain the unit a spread in the Saturday Evening Post. The flyers are ordered to raid civilian towns so that they can concentrate on producing nice tight bomb patterns in the aerial photographs. Most horrible of all, Lieut. Milo Minderbinder (Jon Voight) is encouraged in his murderous wartime profiteering...

Author: /time Magazine | Title: Cinema: Some are More Yossarian than Others | 6/15/1970 | See Source »

...finished casts are set up in "environments": a store window, before a mirror, or-in The Aerial View, the most elaborate image in Segal's new show-contemplating a diorama of New York at night. The Bowery shows an alcoholic collapsed on the pavement, with a man leaning casually against the rusty iron of a closed shopfront and staring neutrally at him. "I wasn't at all interested in the bum," says Segal. "What interests me is the uninvolved spectator there, and what's going through his head." Precisely. The unvarying subject of Segal...

Author: /time Magazine | Title: Art: Ghost Maker | 5/11/1970 | See Source »

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