Word: aerials
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...dances and beautifully constructed sets and costumes by Sergiy Spevyakin dominate the second act, delivering a full offering of the company's diverse talents. The divertissements, although all delightfully and correctly danced, lack any real display of virtuosity. In the role of the Golden Idol, Christopher Budzynski's aerial jumps are imbued with a natural sense of grace but lack any dynamic in movement or musicality. Alexandra Kochis's charming performance as the whimsical Manu also seems to fall just short of true technical precision. But commendations go to the male ensembles for clean, effortless dancing and solid formations...
...Israel developed new equipment, new forces and new tactics. To secure its borders, Israel deployed more heavily armored tanks and troop-carrying vehicles. Apache helicopters, unmanned aerial vehicles and very long-range optics were procured. To protect itself internally, Israel issued its infantrymen plastic bullets and other riot-control gear. Special security forces were organized to help relieve the conventional Israeli units of responsibility for keeping order inside Israel. When confrontation with hostile crowds was unavoidable, Israel used restrictive rules of engagement--and snipers to respond to armed opponents--in an effort to minimize losses and avoid dramatic scenes that...
...patrician counselor to three Presidents, who was a pivotal figure in leading America into the Vietnam War along with his brother McGeorge Bundy, National Security Adviser under Kennedy and Johnson, and the rest of the elite corps of "the best and the brightest"; in Princeton, N.J. Bundy supported aerial attacks on North Vietnam in 1965 but reluctantly backed the large-scale introduction of U.S. troops. Later he was critical of Henry Kissinger's secretive attempts to disentangle America from the war. "Everyone in the State Department is trying to knife me in the back, except for Bill Bundy," Kissinger said...
...extinct, has been subsumed into our technological culture. The contemporary revision of landscape, they admit, requires an increasing distance from a traditional experience of nature, as well as an exploration of old issues such as the natural sublime. Also, modernity's telescopic ability to travel impossible distances, from macroscopic aerial overviews and topographical maps to microscopic cellular diagrams, must inform the modern landscape image...
...tangle of branches, reminiscent of Jackson Pollock. Roxy Paine's naturalistic miniatures, as exacting as neoclassical gardens, reckon with human pollution: a plot of weeds behind glass is littered with wine bottles, candy wrappers and used condoms. And Michael Ashkin's model-like sculpture "No. 104" depicts a haunting aerial view of an industrial plant-human interference in the natural environment-overrun by oozing swampland. The unconscious emphasis of all these pieces is the horizontal line-a stark, straight, unerring gash that bisects the picture plane and emphasizes the binary of culture and nature...