Word: aestheticize
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Dates: during 2000-2009
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“There’s something that doesn’t need to be translated,” Bortolamedi says. “And that’s the aesthetic language that we use, which we think is really important.”
This aesthetic language is key to creating a “theatre under the sand,” which Bortolamedi identifies as a key goal of the production. This idea was coined by playwright Federico Lorca, the author of TEATRO’s last production “Baja La...
The Harvard College TEATRO’s newest production, playwright Arístides Vargas’ “Jardín de Pulpos,” presents the fantastical world of a Latin American man’s lost past and his dreams that make it come back alive...
“There’s something that doesn’t need to be translated,” Bortolamedi says. “And that’s the aesthetic language that we use, which we think is really important.”
This aesthetic language is key to creating a “theatre under the sand,” which Bortolamedi identifies as a key goal of the production. This idea was coined by playwright Federico Lorca, the author of TEATRO’s last production “Baja La...