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Though Greene’s work only spans about 30 novels, it has inspired at least 10 major Hollywood motion pictures including, The Quiet American and The End of the Affair...

Author: By Vinita M. Alexander, CRIMSON STAFF WRITER | Title: Graham Greene Centennial Celebrated | 11/5/2004 | See Source »

...pinnacle of his career, it indeed became truly difficult for Greene to disentangle his genuine man from his public persona. He became dangerously accustomed to having not only his works but his image commercialized and marketed. In fact, The End of the Affair put him on the cover of Time...

Author: By Vinita M. Alexander, CRIMSON STAFF WRITER | Title: Graham Greene Centennial Celebrated | 11/5/2004 | See Source »

...host of the affair, one Silvio Berlusconi, the Italian prime minister whose tan out-glows even John Kerry’s, was having a pretty bad day. Rome was chosen not because any of Italy’s neighbors particularly like Berlusconi (quite the opposite is true), but so as to hark back to the epochal 1957 Rome Treaty, which established the European Economic Community and laid the path to the current...

Author: By Alexander Bevilacqua, | Title: Roman Pomp, European Dream | 11/3/2004 | See Source »

...Swinburne school, found improbable lightness in the dark fable of a boy and his autistic sister at the turn of last century. With Father's Den, he sets a match to New Zealand's "cinema of unease," the phrase coined by Sam Neill to describe the country's love affair with darkness. "I need a cigarette to cope with this kind of scenery," says Paul at one point. So, too, might audience-goers, so slowly and inexorably are they pulled into McGann's web of darkness - and light. For in the sparky figure of Celia, we are left with...

Author: /time Magazine | Title: Flirting with Fiction | 10/27/2004 | See Source »

...great, one couldn’t but get the sense that the cavernous expanse of the Loeb wasn’t being but to full use. The play itself occurs on what is normally the mainstage’s stage, and seating is situated alongside it. The whole affair, then, conjures the close-quarters feel of the Ex while providing twice the seating capacity and retaining the Loeb’s atrocious acoustics. This is a mixed bag, and though I heartily endorse avoiding the temptation the Loeb presents to produce mammoth, overly-ambitious and preposterous casts-of-scores student...

Author: By Patrick D. Blanchfield, ON THEATER | Title: Theater Review: Venturing into the Underworld | 10/25/2004 | See Source »

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