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Word: affectionate (lookup in dictionary) (lookup stats)
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François Truffaut has often spoken of his affection for rapid and startling changes of mood. Shoot the Piano Player careened crazily from farce to thriller, and interludes of pastoral bliss alternated smoothly with scenes of excruciating emotional warfare in Jules and Jim. In these films, Truffaut mingled the...

Author: /time Magazine | Title: Cinema: Truffaut in Transition | 4/27/1970 | See Source »

The mother (Sada Thompson) is a widow from whom all love of life has departed. She hates the world, she hates her lot, and she vents her arid spleen in sardonic wisecracks that are meant to -and do-raise welts on the minds and hearts of her two vulnerable young...

Author: /time Magazine | Title: Theater: Cave of Terrified Mutants | 4/20/1970 | See Source »

Ideology seems like a feeble check on government, even to Marxists, and scarcely explains why the ruled defer to their rulers. Ceremony does explain. Legend, myth, and self-deception-the pomp of government-"siphon off dangerous emotions" and screen politics from public view. Cabinets, parliaments, and monarchy lacked the substance...

Author: By Thomas Geoghegan, | Title: Profile Richard Crossman | 4/15/1970 | See Source »

Sinuous Color. Wadleigh is equally successful at conveying the sociological aspects of the event through concise interviews with townspeople, festival organizers, police and members of the audience. Everyone from a chief of police to a maintenance man for the Port-O-San portable toilet corporation gets his say. Woodstock, however...

Author: /time Magazine | Title: Cinema: Hold On to Your Neighbor | 4/13/1970 | See Source »

Terrazon, an untrained actor, moves with the swagger of the truly insecure. Surrounding him are other amateurs, including a grandmother (Marie Marc) who manages to define affection in terms that François finally comprehends.

Author: /time Magazine | Title: Cinema: One Homeless Boy | 3/30/1970 | See Source »

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