Word: affectivity
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Dates: during 1960-1969
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...speed and efficiency with which the Soviet army had moved. No one could be sure of what would now happen in Eastern Europe. Would Rumania be next on Moscow's list? Nor was it clear how, if at all, Moscow's new preoccupation with events in Eastern Europe would affect the Viet Nam negotiations. What the invasion and the U.S. re sponse (or nonresponse) to it proved once again was one hard fact: the U.S. and Russia still live, as they have with some modifications since World War II, at the center of their own spheres of influence. There...
...flute to represent a mother and a reverberating chamber for the father." Townshend--"We are not rigid musicians. When we go to do an opera we have some idea of what the story will be but we don't restrict ourselves. We let our mood in the studio affect the way we play and therefore it affects the way the story line unfolds." Townshend has outlined a two hour rock opera and the group is eager to get back to England so they can start recording it. When asked about it they would all say only, "Its going...
Like everyone else, the Democratic politicians were watching Miami Beach -mostly to see how the ticket chosen by the Republicans would affect their prospects. The Democrats are bedeviled by the stubborn problems of the war abroad and strife at home, what appears to be a nationwide drift to the right, and an overwhelmingly unpopular Administration...
...Viet Nam is, for Americans and, in particular, for both political parties, the most important piece in the overall puzzle. Many lives and large issues of policy are at stake. Far more than was the case with the Korean War, how the Viet Nam conflict ends is apt to affect for years both the image Americans have of themselves and the image that the world has of the U.S. The U.S. should not leave Viet Nam in a way that divides the nation bitterly at home, gives excessive comfort to its enemies or undue doubts to its friends and allies...
...generalizations. Most of the great films transcend a primary level of visual reality, that of superficial "slice of life" recording and, aware of the magical power of the image to convey an absolute truth, move toward dramatic metaphor in subject and theme, in order to convey ideas that will affect us, living in the one reality film cannot reproduce. The meaning of great film exists ultimately not in the script mechanics but in the treatment of script mechanics by distinct camerawork and editing. All worthwhile analysis of film, however literary in appearance, must hinge on our own interpretation of already...