Word: afraid
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
...have something else in mind. "Edgar Allan Poe's ultimate orgy of evil and unbearable horror!" they shriek, conjuring up images of a dawn-to-dusk scare show at the local drive-in. Obviously the distributors were afraid of something-probably the spooks that Spirits of the Dead promises but never actually delivers...
That trial is traced with disturbing impact in a new book, The Prosecutor, by James Mills (Farrar, Straus & Giroux; $5.95). The plot is Kafka in reverse. The prosecutor is a lonely man fighting impossible odds. His key witnesses are afraid to testify. The opposition's maneuvers force him to present his case to the jury like "a movie run too fast, with a lamp too dim and half the frames chopped out." According to Mosley, the case marked the first time in 20 years that Mafia defendants had been brought to trial for murder in New York City...
...that he is not -repeat not-playing gay young Myron Breckinridge, who goes under the knife to emerge as Raquel Welch. His part now calls for a young writer who is Myra's "alter ego." Rex thinks the experience will help him as a critic and" is not afraid of fellow critics' brickbats. "What can they do to me?" he asks. "Destroy my acting career...
...musjawarah, meaning roughly consultations leading to consensus. For this purpose, they chose 1,025 "people's representatives," who allegedly spoke for all Papuans. The Indonesian army warned that it would not be gentle with dissidents. "Many of us didn't agree to Indonesian control, but we were afraid," one of the delegates told TIME Correspondent David Greenway, who visited West Irian last week. Others were wooed with gifts of salt, tobacco, cloth, beer, outboard motors and junkets to Djakarta. Between intimidation and persuasion, the Indonesians managed to win a unanimous vote in favor of annexation...
Writer-Director Haskell Wexler, an Oscar winner who has built a reputation for himself as one of Hollywood's best cinematographers (Who's Afraid of Virginia Woolf?, The Loved One), scraped together $600,000 for this low-budget portrait of a country in conflict with itself. He chose Chicago, with its thousands of pent-up blacks and displaced Appalachian whites, as a symbolic seat of the conflict and began shooting last summer in a loose, almost documentary fashion-just as the convention confrontation was reaching a peak of frenzy. The uncomplicated plot turns on the developing love affair...