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...technical aspects support the production effectively. The set during the first act features fantastic wooden panels of a brightly colored African house which rotates to allow for cast entrance and exit, while a panel of the Saharan sunset flanks the other side of the stage. The British flag, which hangs prominently during the first act, is only held in place by one corner during the second, making it obvious that the political landscape has changed. The costumes are all generally effective and appropriate, ranging from the desert wear of the first act to the bohemian dresses and straw bags...

Author: By Kerry A. Goodenow, CONTRIBUTING WRITER | Title: Forced Farce Rains on ‘Cloud Nine’ | 4/20/2008 | See Source »

...event “Afro-Asian Encounters” in Harvard Hall last night, visiting history professor Eric Tang disputed the notion that Asian Americans had “stolen” hip-hop music from African Americans. “Theft is too strong a word—lovingly hijacked,” Tang said. As part of the ongoing 2008 Educational/Political Colloquium Series, “Afro-Asian Encounters”—co-hosted by the Asian American Association (AAA) and the Black Students Association (BSA)—explored the relationship between African and Asian...

Author: By Alec E Jones, CONTRIBUTING WRITER | Title: Afro-Asian Culture Explored | 4/18/2008 | See Source »

...this deeper source. “My Bloody Underground” isn’t just exploring the styles of seminal rock bands; it appears to be hunting the roots of all humankind. As is typical of BJM, a wide range of musical tricks—from sitars to African drums to classical piano—gets featured on various tracks. BJM also culls their lyrics from a diverse linguistic spectrum, even composing and naming a song in an Icelandic tongue (“Ljósmyndir”). Just as Newcombe promises his soul will bring...

Author: By Meredith S. Steuer, CONTRIBUTING WRITER | Title: The Brian Jonestown Massacre | 4/17/2008 | See Source »

...invite. As a result, the middle part of the film is the most nuanced and engrossing portion. Though Zainab—a jewelry-maker from Senegal—seems initially cautious and afraid of Vale, Syrian drummer Tarek befriends him quickly and teaches him to play the djembe, an African hand drum. Tarek and his drums fill the void in Vale’s life in a way that his painful piano lessons never could. We discover later that Vale only took up the piano in hopes of connecting to his dead wife, a classical pianist.The scenes of Vale playing...

Author: By Jessica R. Henderson, CONTRIBUTING WRITER | Title: The Visitor | 4/17/2008 | See Source »

...famous saying, attributed alternately to Oscar Wilde and George Bernard Shaw, that goes: “If you’re going to tell people the truth, you’d better make them laugh; otherwise they’ll kill you.” For South African playwright Pieter-Dirk Uys, this statement is hauntingly literal. His most recent one-man production, “Elections and Erections,” currently being performed at the Zero Arrow Theatre, showcases the wry satire and verbal wit that has defined his career. The performance’s unique format, drawing...

Author: By Mark A. Vanmiddlesworth, CONTRIBUTING WRITER | Title: Uy's 'Erections' Pokes Fun at Politics | 4/17/2008 | See Source »

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