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...midst of the recession, the new field represents an attempt by Harvard “to do, within the financial constraints, whatever we can to create more of an intellectual vibrancy,” said Professor of English Literature and of African and African American Studies Werner Sollors, who is also the chair of the Standing Committee on Ethnic Studies...

Author: By Andrew Z. Lorey, CRIMSON STAFF WRITER | Title: Ethnic Studies Secondary Field Added | 11/20/2009 | See Source »

...feels like a swarm of African killer bees conducted a violent mating ritual on my face in an attempt to escape the Cambridge chill...

Author: By John Song, CONTRIBUTING WRITER | Title: YALE: Why the Bulldogs Will Win on Saturday | 11/20/2009 | See Source »

Fred Ho ’79—baritone saxophonist, composer, band leader, political activist, and Marxist—is a pretty remarkable guy. He aspires to create multicultural and deeply political music by blending avant-garde jazz and African American music with Asian influences, and he actively fuses his roles as an artist and political activist to create a uniquely expressive identity for himself. Last Friday, Ho was honored with the Fall 2009 Harvard Arts Medal, which is awarded by the Office for the Arts to an alumni “who has made a special contribution...

Author: By Sophie O. Duvernoy, CONTRIBUTING WRITER | Title: Jazzing Up a Revolution | 11/20/2009 | See Source »

Since his beginnings as a self-taught musician, Ho has been pushing the boundaries of jazz, which he calls “quote-unquote jazz,” referencing the term’s origin as a racial slur. He merges African American music with Chinese opera and uses Duke Ellington-style swing in musicals and operas featuring female vampires, mythical monkeys, and now, green earth monsters. His music is arresting, indefinable, and unquestionably dramatic, aggressive in its motifs but always expansive in tone...

Author: By Sophie O. Duvernoy, CONTRIBUTING WRITER | Title: Jazzing Up a Revolution | 11/20/2009 | See Source »

...faced racism ever since the day I’d become conscious as a young kid at age three.” “I was hit with the tidal wave of Black Power and the Black Arts movement,” he says of his teenage years. African American music and culture gave him a way to understand his Asian American identity, and he melded together these two influences in his explorations of jazz, which for him represents “the journey of the search for my identity and how we can achieve liberation...

Author: By Sophie O. Duvernoy, CONTRIBUTING WRITER | Title: Jazzing Up a Revolution | 11/20/2009 | See Source »

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