Word: africanizing
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Dates: during 1960-1969
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...deplored the violence and bloodshed of the Mau Mau uprisings against the British and refused to participate in them. He became the architect of independent Kenya's major documents, including its constitution. He also pleaded eloquently for a Marshall Plan for all Africa, for the creation of an African economy, and "the brotherhood of the 'extended family' in a United States of Africa...
Mboya thought of himself as an African socialist, that catchall for moderate African reformers who favor mixed economies. Thoroughly pro-Western, with close ties both to the U.S. and Britain (he spent a year at Oxford), Mboya had no use for Soviet and Chinese efforts to gain a foothold in Kenya. It was on that issue that Mboya and his principal political enemy, Oginga Odinga, collided. Odinga, a Luo like Mboya, is an emotional, radical tribalist with Communist leanings and support. Mboya helped oust Odinga as Vice President...
...Tanner was able to make a career in a sphere that had known virtually no Negroes marked him as a man of exceptional drive. He was also more fortunate in family background and education than were most U.S. Negroes of the period. Born in 1859, the son of an African Methodist minister, the artist was raised in Philadelphia and attended high school. He became entranced with painting at the age of twelve when he saw a landscapist at work during an outing with his father in Fairmount Park...
Smith has also received generous aid from South Africa, even though his regime's blatant march toward apartheid is something of an embarrassment to Pretoria and its "outward-looking" foreign policy of making friends with its African neighbors. The embarrassment is likely to increase as Rhodesia makes use of the constitution's possibilities for repressive laws. Sooner or later, those laws are likely to be needed. South Africans are outnumbered by Africans only 4 to 1. White Rhodesians have set themselves the task of staying on top in a country where they are a minority by a ratio...
...gently shaking a pair of copper baby rattles from Japan. Onstage, he may build a sonorous tremolo of several gongs, mixing in a tinkling of glass chimes or a booming thunderclap of timpani. At times he pauses, changes mood, and elicits long, random notes from a homemade North African-style flute or dramatically raises a six-foot Tibetan temple horn and blows a resounding blast. The concert is over when Tree feels it should end, sometimes after 45 minutes, sometimes after an hour and a half (which most professional critics find a bit too long). Tree simply walks away...