Word: afros
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Dates: during 2000-2009
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...Strike. This six-day student boycott of classes in April of 1969—a reaction to the administration’s brutal put-down of a University Hall sit-in—soon solidified its goals into three major points. One was the creation of an Afro-American Studies Department, an objective that was affirmed by a majority of 6,000 voters at a mass meeting in Harvard Stadium. By the end of the month, the University had agreed to set up an independent department for the study of African-American culture...
Andrew C. Coles ’09 was first attracted to the African and African-American Studies department—the post-2003 title for the former Afro-American Studies department—because it combined a broad base in the humanities with a narrower focus on African-American culture. He initially worried, however, that his ethnicity would affect the way people perceived his academic choices. “I was afraid that I would be, quote unquote, that black kid doing that black stuff,” he says...
...taking a limited approach to the humanities. “So-called mainstream departments, which seem theoretically not to be ethnically-based, were thought to exclude faculty and students who were not white,” explains Professor of African and African-American Studies Biodun Jeyifo. The African and Afro-American Association of Harvard-Radcliffe Students fought for an Afro-American Studies Department in the 60s expressly so that African-American students could do exactly what Coles is doing...
...Harvard, but many of the affirmative voters were motivated by the other issues in question, particularly the elimination of the ROTC program in order to demonstrate the University’s opposition to the Vietnam War. Ten years later, when the Coalition for Awareness and Action included strengthening the Afro-American Studies Department in a list of objectives for a second student strike, the response was underwhelming. “Afro-Am?” one sophomore said in a 1979 article published in the Crimson. “For most of us, it’s just...
...Growing up in a working-class section of Senegal's capital Dakar, Kane listened to European music on the radio and fell in love with the Nigerian Afro-beat pioneer Fela Kuti, whose own music reflected a melee of African and Western styles. As is common in his home country, Kane had trouble finding work. Many young Senegalese dream of making a living abroad, some of whom brave a treacherous journey in the open seas on rickety boats to get to Europe...