Word: afros
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Dates: during 2000-2009
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Toussaint G. Losier ’04 is a social studies and Afro-American Studies concentrator in Leverett House. He is a member of the Harvard Haitian Alliance, a group which is sponsoring a teach-in tonight at 7 p.m. in the Parlor Room of Phillips Brooks House...
...from a friend who got it from a friend who got it from a friend, and originally we just had burned copies. It’s a Cuban group that does hip-hop, but with a really Cuban feel to it...with drumming and stuff, kind of like afro-cuban roots. When I arrived here [from California] they had just put out a second album in Miami, so when I got here I asked everyone from Miami if they had heard of them, and no one had. Except this one girl from Cuba, who knew them because they had lived...
...from a friend who got it from a friend who got it from a friend, and originally we just had burned copies. It’s a Cuban group that does hip-hop, but with a really Cuban feel to it...with drumming and stuff, kind of like afro-cuban roots. When I arrived here [from California] they had just put out a second album in Miami, so when I got here I asked everyone from Miami if they had heard of them, and no one had. Except this one girl from Cuba, who knew them because they had lived...
Ladies and gentlemen, Elvis is in the building. Or at least he is, metaphorically, in the Harvard building. This spring, Elvis Mitchell is a visiting lecturer on African and African American studies and on visual and environmental studies. In that capacity, he is teaching Afro-American Studies 183, “The African-American Experience in Film: 1930-1970” and Visual and Environmental Studies 173x, “American Film Criticism.” What makes this guy so special? Well, besides his quick and ready wit and encyclopedic understanding of the media world, Mitchell is currently...
...could be dressing the part of the professor as avant-hipster, in a chic pale blue sweater, cocoa blazer and thin-rimmed glasses with a quirky pointed bridge. Mitchell’s two classes at Harvard this semester, VES 173x, “American Film Criticism” and Afro-American Studies 183, “The African American Experience in Film 1930-1970,” drew substantial crowds. The former, originally capped at 50, was changed to open enrollment, and109 undergraduates are currently taking the course. Students in the class, while enduring some organizational hurdles due in part...