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...paper's foreign editor, François Sergent, sighs. "We could have done better with our readership," he says. Readers seem to agree. Nearly 33 years after Jean-Paul Sartre and a group of Maoist intellectuals [an error occurred while processing this directive] launched their journal in the aftermath of the 1968 Paris riots, Libé - as the left-wing daily paper is dubbed - appears close to death. The title's unlikely major shareholder, the aristocratic banking heir Edouard de Rothschild, has given a joint staff-management committee until this Wednesday to present its plan to save the title...

Author: /time Magazine | Title: Libé on a Deadline | 10/15/2006 | See Source »

...Welcome to the bad new world. As crude as the North Korean blast was, it punctuated a scary fact: the rules that governed the nuclear road during the cold war and its immediate aftermath have become irrelevant, replaced by the law of the jungle--every state, rogue or otherwise, for itself. The risk now, says former Clinton Administration Defense Department official Graham Allison, is the emergence of a more dangerous nuclear age. Pyongyang's test, says Allison, threatens to set off a "cascade" of nations seeking the ultimate weapon. "The North Korean test blew a hole in the nonproliferation regime...

Author: /time Magazine | Title: When Outlaws Get The Bomb | 10/15/2006 | See Source »

North Korea’s alleged nuclear test this week occurred deep underground in a mountain tunnel in the North Hamgyong Province, but in its aftermath, the world’s eyes are on Harvard Square...

Author: By Madeline W. Lissner, CRIMSON STAFF WRITER | Title: Nukes in Korea, But Eyes Turn To Harvard | 10/11/2006 | See Source »

...David Evans ’05, Garcia’s former roommate who affectionally called him “short but strong” in the aftermath of the attack, said it’s safe on campus...

Author: By Reed B. Rayman, CRIMSON STAFF WRITER | Title: In Like a Lion, Out Like a Lamb, Hate Case Fizzles | 10/6/2006 | See Source »

...image of a person grieving expresses a certain rawness, a singular emotional intensity that, strangely, rarely surfaces in images of the 9/11 aftermath. Artists dealing with acts of terror are often content to represent a more general sense of national grief through abstract images, like the photographs of twisted debris that comprise Joel Meyerowitz’s photo-book “Aftermath.” Often, this results in gripping, affective art.But when someone explicitly grieves for a friend who died in the attacks, the moment is special, charged with the weighty energy that comes only with proximity...

Author: By Kyle L. K. Mcauley, CRIMSON STAFF WRITER | Title: 9/11 Art Shoots For the Heart | 10/5/2006 | See Source »

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