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Others are less generous toward the U.S., in part because of the brutality of the attack at the Sharzam school. One witness of the aftermath said the Americans shot Afghans as they hid under beds and rushed out of doorways. The Pentagon maintains that the Afghans started shooting first, but villagers say they heard no gunfire from inside the school. Two dead Afghans were found with their wrists bound. One U.S. soldier left behind a note: "Have a nice day. From Damage Inc." Days after the attack, the classrooms at the school were still soaked in thick blood. Surveying...

Author: /time Magazine | Title: How The U.S. Killed The Wrong Soldiers | 2/11/2002 | See Source »

...about halfway through his speech, Zinn launched into arguments concerning the aftermath of Sept. 11. “Everywhere I go now I have to talk about war. . .or else I’m not doing my duty to myself,” Zinn said...

Author: By J. hale Russell, CRIMSON STAFF WRITER | Title: Howard Zinn | 2/8/2002 | See Source »

...aforementioned, Solondz and his film falls into the trap of self-reflection. Oxman meets and reviews the documentary footage with his editor (Frankie Potente), and she accuses him of dislike and exploitation of his characters for the sake of entertaining his audience. Again, if this sounds like the aftermath of Happiness, it is. Solondz spent many interviews defending his attitude, claiming ambivalence and empathy toward his characters, and not disdain and mockery. Solondz continues to lampoon his critics as Oxman inteviews Goodman about the evils of college and the necessity of Scooby’s enrollment. Goodman angrily responds that...

Author: By Dan Cantagallo, CRIMSON STAFF WRITER | Title: Storytelling Chokes on Sarcasm | 2/8/2002 | See Source »

Acting Gov. Jane M. Swift addressed the challenges of political leadership in the aftermath of Sept.11 last night at the Kennedy School of Government’s ARCO forum...

Author: By Nicole B. Usher, CRIMSON STAFF WRITER | Title: Swift Discusses Life After Sept. 11 | 2/6/2002 | See Source »

...withstanding some weaknesses in execution, Broadwater’s Ba’al is an innovative production that maximizes the emotional potential of Brecht’s play. It portrays humanity in all its stark, shocking and terrifying guises, and then abruptly leaves the audience to contemplate the emotional aftermath of their experience...

Author: By Michelle Chun, CONTRIBUTING WRITER | Title: Brecht’s ‘Ba’al’ Lights Up the Loeb Ex | 2/1/2002 | See Source »

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