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This awareness of his age, his accomplishments, as well as his shortcomings recurs throughout the collection. Williams’ reflections on his work more often than not lead him to a kind of melancholy. In “Apes,” he wonders, “Could I have...

Author: By Rachel A. Burns, CRIMSON STAFF WRITER | Title: Pulitzer-Winning Poet Williams Channels Voices from the Canon | 4/27/2010 | See Source »

Zellmann-Rohrer, a Classics concentrator in Mather House, says he plans to pursue a PhD in Classics after graduation and does not foresee a future in lighting design. “I don’t think I’m committed to do it professionally,” he...

Author: By Paula I. Ibieta, CONTRIBUTING WRITER | Title: Michael Zellmann-Rohrer ’10 | 4/27/2010 | See Source »

In no poem is the evolution of self-doubt more apparent than in “I,” in which Williams directly addresses the idea of lyric subjectivity. After referring to Goethe as “One of those ‘I’s who aren?...

Author: By Rachel A. Burns, CRIMSON STAFF WRITER | Title: Pulitzer-Winning Poet Williams Channels Voices from the Canon | 4/27/2010 | See Source »

But even amidst his contemplations of selfhood and subjectivity, Williams also continually returns to the vivid observations that give his work such buoyancy. In “Riot,” Williams evokes the music of dawn’s approach after a tumultuous, sleepless night: “The...

Author: By Rachel A. Burns, CRIMSON STAFF WRITER | Title: Pulitzer-Winning Poet Williams Channels Voices from the Canon | 4/27/2010 | See Source »

What happens after “happily ever after”? This is the question that drives “Into the Woods,” directed by Jordan A. Reddout ’10 and playing on the Loeb Mainstage through May 1. In Stephen Sondheim’s...

Author: By Rachel A. Burns, CRIMSON STAFF WRITER | Title: Into the Woods | 4/27/2010 | See Source »

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