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...process of refining his thoughts and tailoring them to the time limitation, Evans invited a few dozen friends and advisers to his official residence in Olympia for a trial run-through of his still unfinished speech last week. One suggestion offered afterward: throw in a few more ripsnorting flourishes to bring the people in Convention Hall to their feet. Evans vetoed the idea. "We ought to aim at the people who are watching on television," he said, "rather than delegates who won't be listening anyhow...

Author: /time Magazine | Title: Nation: KEYNOTE TO OPPORTUNITY | 8/9/1968 | See Source »

...themselves fall backward; they were caught and passed from one member of the group to another. "The purpose," explained McGaw, "is to find out how much they will trust themselves in the hands or arms of others, to be supported in a comfortable, loving way, to be handled gently." Afterward the participants sat down and again gave their impressions of the experience. "A lot of people begin to own up to the fact that it is hard for them to give love, affection and support to others," McGaw said. "Others surprise themselves at how Christian and giving and risk-taking...

Author: /time Magazine | Title: Liturgy: Let Us Touch | 8/2/1968 | See Source »

...view, "Haydn was a romantic composer; Mozart too-and Bach"). The performance was unified, but each player had the freedom to express his own personality. "Homogeneity is the worst thing in music," Schneider explains. "It is not so good in marriage either. The first five bars sound wonderful, but afterward you are very bored because everything sounds the same...

Author: /time Magazine | Title: Violinists: Second Fiddle, con Brio | 7/26/1968 | See Source »

...trio in a local restaurant. The trio occasionally was summoned to play in an upstairs room while a patron made love to a prostitute in full view of the musicians. Undaunted-even by the tip of a bottle of vodka-Schneider sometimes arranged to meet the girl afterward...

Author: /time Magazine | Title: Violinists: Second Fiddle, con Brio | 7/26/1968 | See Source »

Native Son. To understand Miró it is perhaps more important to remember that he is a native of Spain than to try placing him in a particular artistic movement. The Farm, finished in 1922 and bought soon afterward by Novelist Ernest Hemingway for $200 in Paris, is one of Miró's earliest efforts to distill the essence of Spain and the way in which its savage, whimsical, passionate people still cling close to the earth. The scene depicts the farm bought by his father, a Barcelona goldsmith, at Montroig, a coastal village in Catalonia...

Author: /time Magazine | Title: Painting: Father for Today | 7/26/1968 | See Source »

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