Word: agamemnon
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There is no doubt that Sartre’s original adaptation of the Greek mythology is brilliant. The play tells the story of Orestes and his sister. After an affair between their mother Clytemnestra and her lover Aegisthus results in the death of their father Agamemnon, the siblings avenge him by killing the responsible couple, who had taken over the kingdom of Argos, imposing their guilt upon the people in the form of perpetual mourning and black clothing. Sartre cleverly ties this in with existentialism. The guilt does not belong to the people but they are forced to express...
...This goes all the way back to the beginning. According to The Iliad, it was not the endless wealth dreamt of by Agamemnon, but rather Helen’s beauty, that triggered the Trojan War. In a similar vein, the Greeks’ greatest hero, Achilles, was not motivated by rationality; more than anything, he sought kleos, an untranslatable word describing war glory, honor, and a victory over death through future remembrance. Closer to our days, similar pursuits driven by ideologies ranging from nationalism to religious enthusiasm have resulted in real tragedies later described as “unimaginable...
EYES ON THE PRIZE King Agamemnon dissed Achilles by stealing his war prize, the beautiful woman Briseis. So the warrior laid down his sword, giving Troy a boost in its epic battle with the Greeks...
...Powers was, forty-plus years ago, a man in exile-a man like I am today, a man like he still is, a man precisely like the one Aeschylus conjured when he wrote in Agamemnon, ?I know how men in exile feed on dreams of hope.? Powers was living in Connecticut and working in New York, but it was all Siberia to him. To hazard an even more purple metaphor, his world had become a large cell. The bars were pinstripes. There were pinstripes on his commuter train, pinstripes on his subway, and pinstripes in his office, all reminding...
...acting in “The Oresteia” is excellent. Jack E. Fishburn’s ’08 Agamemnon is riveting in his tortured grandeur; his rage and despair tears through the scenery. As Clytemnestra, Erica R. Lipez ’05 swings plausibly from vengeance-crazed virago to shrill housewife (one of the production’s conceits is the coy use of Americana nuclear-family trappings). Lauren L. Jackson ’07, as the Leader of the Furies, exudes menace and dances wonderfully; Scottie Thompson ’05, as the doomed Trojan seer...