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Neither, however, can be compared to Helen of Troy, about whom historians differ. Whether her face launched or on the contrary sank a thousand of Agamemnon's ships is still a meet point...

Author: NO WRITER ATTRIBUTED | Title: H.T.W. Looks for Lips and Hips To Launch That Thousand Ships | 10/26/1948 | See Source »

During this period, American premieres of many French and German plays took place at Harvard, and the Stadium was frequently utilized when a particularly grandiose production, such as "Agamemnon," was projected. At the same time dramatic activities were springing into existence that were not viewed so placidly by the University. In particular, one George Pierce Baker, a professor of English, was showing remarkable talent for teaching the theatre--playwrighting, set-designing, direction, and so forth. His English 47, later known as the '47 Workshop, produced plays by students, among whom can be listed Eugene O'Neill, Philip Barry...

Author: By Joel Raphaelson, | Title: Stubborn Puritan Tradition Fetters Dramatics | 12/12/1947 | See Source »

...intrigue me"). Nothing, it seems, came to Gide so easily as tears. The Journals drip from crying jags brought on by Gide's reading, his music, visits to art shows ("visit to the Louvre . . . wept in front of the Rudes . . . in the theater the mere name of Agamemnon is enough. I weep torrents...

Author: /time Magazine | Title: Books: Aged Child | 9/22/1947 | See Source »

...Comparative Literature 3a, where meetings every other Wednesday afternoon have seen the readings of Aeschylus' "Agamemnon" and Sophoeles' "Antigone," the dramatic effect is achieved, it is said, despite the weaknesses of translation. Both the Elizabethan and Greek performances are models that might be copied not only by drama courses, but by all classes in poetic literature. The use of recordings, of readings, and of full-scale theatrical productions can solidify and shape subjects that suffer in their current linear presentation...

Author: NO WRITER ATTRIBUTED | Title: From the Pit | 11/1/1946 | See Source »

...that. His treatment of Greek literature is more warmly informative than the Encyclopaedia Britannica, but it is commonplace in taste and no match for the subject. His illustrations are less than adequate (no papyrus, no comic masks, no small pottery) though such selections as the archaic mask of "Agamemnon" (see cut) are fresh and effective. But throughout his big book he does show, with more restraint in analogy-making than could be expected after his previous books, that the history of Greek politics is relevant to the nakedly political world...

Author: /time Magazine | Title: BOOKS: New History | 11/20/1939 | See Source »

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