Word: agassiz
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Dates: during 2000-2009
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...produced by Jeremy R. Steinemann ’08, Jessica A. Bloom ’07, and Xin Wei Ngiam ’07, with musical direction by Ben E. Green ’06, “H.M.S. Pinafore” runs until Dec. 16 at the Agassiz Theatre.The shorter “Trial by Jury,” a courtroom comedy in which a would-be bride sues her former groom for breaking off their engagement, opens the performance. As the Judge (Arlo D. Hill ’08) and Usher (Evan D. Siegel...
...version of their rehearsals. Producer Joshua H. Billings ’07, stage director Matthew M. Spellberg ’09 and musical director Julia S. Carey ’08 presented four of Louis-Nicholas Clérambault’s 18th century cantatas, last weekend at the Agassiz Theatre. Although the performance started off shaky—both in narrative and accessibility—as the evening progressed, all its problems were resolved and the last two cantatas proved to be perfectly executed. According to the program, though the four cantatas performed were short sketches of ancient myths...
...indulged their shared love for a series of vocal works from the French baroque master Louis-Nicolas Clérambault and turned it into “Metamorphoses,” an intimate yet operatic fusion of dance, theater, and music that will premiere at the Horner Room at Agassiz Theatre...
...produced by Christian I.C. Strong ’09 and Jessie E.A. Washington ’09, “In the Blood” updates Nathaniel Hawthorne’s classic text “The Scarlet Letter.” Running this past weekend at the Agassiz Theatre, the play explores the modern stigma of being a mother of illegitimate children.Strict Puritan mores are replaced with the doctrine of personal responsibility and the disdain for welfare mothers. Hester Prynne is transformed into Hester La Negrita (Jenné B. Ayers ’10), an illiterate homeless mother...
...perhaps not surprising, then, that Black Community and Student Theatre (BlackC.A.S.T) chose to produce “In the Blood,” one of Suzan-Lori Parks’ adaptations of the latter this coming weekend, Nov. 9 through Nov. 11 at the Agassiz Theatre.Though this 1999 play may be less shockingly titled than Parks’ other Hawthorne-inspired work, 2000’s “Fucking A,” it still promises to unnerve Harvard students, at least according to those involved in the production. Parks takes the social commentary of Hawthorne?...