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...play was written by Arthur L. Kopit ’59 shortly after he graduated, and its unconventional path to Broadway included a premiere at the Agassiz Theatre. The director is David R. Gammons ’92, the student producer is Christine K.L. Bendorf ’10, and almost all the actors are current undergraduates at Harvard College. Fortunately, the play is not weighed down by its symbolic connections, instead maintaining a cutting wit and sense of the absurd throughout...

Author: By Elisabeth J. Bloomberg, CRIMSON STAFF WRITER | Title: ‘Oh Dad’ Delivers Wry Wit | 11/4/2007 | See Source »

...murder occurred in the Agassiz Theatre this past weekend. “Bodas de Sangre” began as an unexciting stage drama. But the second act was filled with all the blood and aggression characteristic of a crime of passion—and by the end, nobody was complaining. “Bodas de Sangre” (“Blood Wedding”), written by the Spanish genius Federico Garcia Lorca in 1932, premiered as the first all-Spanish play to have ever been performed in a Harvard theatre. Directed by Christopher N. Hanley...

Author: By Andres A. Arguello, CONTRIBUTING WRITER | Title: ‘Sangre’ Sears, in Spanish | 11/4/2007 | See Source »

...Harvard hear that tale told in Spanish?In a break with tradition, the newly formed student group “Harvard College TEATRO!” debuted a production “Bodas de Sangre” by Federico García Lorca in the original Spanish in the Agassiz Theatre last night. “Bodas de Sangre” (which translates to “Blood Wedding”), the first Spanish-language play presented by a Harvard student group, runs through tomorrow night.Teatro was formed in March 2007 with the goal of bringing Spanish-language theater...

Author: By Edward F. Coleman, CONTRIBUTING WRITER | Title: A Spanish Tragedy at the Agassiz | 11/2/2007 | See Source »

...post-brunch T-shirts and sweats stand in a semi-circle as Matthew J. Hall ’09 tidies his sheet music at the piano. The Harvard Early Music Society is rehearsing for its biannual opera, Henry Purcell’s 1691 King Arthur, going up at the Agassiz Theatre Nov. 8, 9, and 10 at 8 p.m.With the exception of Hall, everyone in the JCR looks nervous. Once the piano music starts, the semi-circle launches into a powerful operatic chorus. Impressive, certainly, but hardly unusual for Harvard. And yet the singers continue to exchange sidelong glances.When they...

Author: By Daniel B. Howell, CONTRIBUTING WRITER | Title: Opera Brings Dark Age to the Stage | 11/2/2007 | See Source »

...Mainstage as a freshman, to producing and directing various performances with the Harvard-Radcliffe Dramatic Club (HRDC) and the Harvard-Radcliffe Gilbert and Sullivan Players (HRG&SP). Last spring, Steinemann made his directorial debut with the HRG&SP production of “Utopia, Limited” at the Agassiz Theatre...

Author: By Katherine L. Miller, CONTRIBUTING WRITER | Title: SPOTLIGHT: Jeremy R. Steinemann '08 | 10/19/2007 | See Source »

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