Word: agassiz
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...indulged their shared love for a series of vocal works from the French baroque master Louis-Nicolas Clérambault and turned it into “Metamorphoses,” an intimate yet operatic fusion of dance, theater, and music that will premiere at the Horner Room at Agassiz Theatre...
...perhaps not surprising, then, that Black Community and Student Theatre (BlackC.A.S.T) chose to produce “In the Blood,” one of Suzan-Lori Parks’ adaptations of the latter this coming weekend, Nov. 9 through Nov. 11 at the Agassiz Theatre.Though this 1999 play may be less shockingly titled than Parks’ other Hawthorne-inspired work, 2000’s “Fucking A,” it still promises to unnerve Harvard students, at least according to those involved in the production. Parks takes the social commentary of Hawthorne?...
...their biases consciously. While the discussion began with an hour-long presentation by Banaji, showing the current research demonstrating the tendency to subconscious prejudices, the second hour was spent in a panel discussion where both the audience, Shelby, and the other panelist, Richard C. Lewontin ’51, Agassiz research professor, explored the implications of Banaji’s research. The “mind bugs” lecture was part of the Humanities Center’s Faculty Conversations initiative, which brings together faculty from different fields to address interdisciplinary questions. “We live with bias...
...lobby hadn’t been vocalizing the same.According to the top of my ticket stub, Nick A. Noyer ’09 and Peter C. Shields ’09 presented “A Chorus Line,” which will run through Nov. 4, at the Agassiz Theatre on Friday night. If they had any new, daring artistic vision to justify the extra attention (an ordinary program credit just won’t do anymore?), I didn’t see it.When “A Chorus Line” works—and it does frequently...
...done technical work on nearly every show produced in the Loeb or Agassiz since his first semester here—something even the most accomplished actors on campus do not attempt...