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...Agassiz School, where fewer than 20 percent of the students were enrolled in the free lunch program and 45 percent of students were minorities, achievement test scores for first-graders were third-highest in the district...

Author: By R. ALAN Leo, | Title: Report on Schools Details Inequality | 11/22/1995 | See Source »

...Chorn Pond, founder of the first community service organization in Cambodia, shared his life experiences last night in Agassiz Theater, imploring the Harvard community to engage in public service...

Author: By Alexander D. Laskey, | Title: Activist Discusses Hardships | 11/21/1995 | See Source »

Triumphant is the best word to describe the atmosphere at Agassiz Theater last Friday night. The new HRDC production of "West Side Story" (directed by Scott Brown, produced by Melissa Swift) takes on the full challenge of the musical--the singing, dancing, scatting, even the blindingly bright costumes--and pulls it off with style. The make-or-break moment comes right at the beginning, when the Jets, snapping in rhythm and looking cool, break into that first pirouette. Not only is it surprisingly graceful, but the six buddy-boys do it with such infectious high spirits that the audience...

Author: By Adam Kirsch, | Title: There's a Place For The Jets and Sharks | 11/16/1995 | See Source »

...contest in the dance hall is wonderful from the first syncopated shout. The extended pursuit of Jets by Sharks, and vice versa, which opens the musical is deft and witty. It is tribute enough to the dancers' skills that twelve people can have an elaborately choreographed brawl on the Agassiz's cramped stage without seeming awkward; credit for this must also go to the choreographer, Isabel Legarda, who assimilates Jerome Robbins without duplicating him. The production reaches its height in the exuberant "Gee, Officer Krupke," which finds all the humor present in the music and words, and adds some more...

Author: By Adam Kirsch, | Title: There's a Place For The Jets and Sharks | 11/16/1995 | See Source »

Even the orchestra, usually the bane of Harvard musicals, does its job well. It avoids the cardinal sun of drowning out the sin of drowning out the cast a special danger at the Agassiz with its wretched acoustics, and one that nearly sunk "The Mystery of Edwin Drood" two years ago. The jazzy score requires more precision and conviction than most there is very little room for judging in the trills of the mambo and America," and this group, reinforced by angers from the New England Conservatory and the Berklee and Longy Schools, is equal to it the few lapses...

Author: By Adam Kirsch, | Title: There's a Place For The Jets and Sharks | 11/16/1995 | See Source »

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