Word: agassiz
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Thursday, April 27-Saturday, April 29.7:30 p.m. Agassiz Theatre. Tickets available at the Harvard Box Office. $5. “A little bit Buñuel, a little bit Chaplin, and a little bit Monty Python,” is the description offered by director Claire E. Catenaccio ’07 of The Harvard Classical Club’s upcoming production of Aristophanes’s “The Birds,” which premiered yesterday in the Agassiz Theatre. The comedy, which dates from the fifth century B.C., chronicles the misadventures of two idealistic Athenians, Pisthetairos...
While “On the Heir,” was overall innovative, the acoustical inadequacies of the Agassiz Theatre combined with the cast’s musical inexperience detracted from an otherwise superb script. Marking the tenth anniversary of the Freshman Musical, the entirely first-year scripted, produced, and acted show ran April 20 to 22. According to the production company, it wasn’t geared solely toward pre-frosh, freshmen, or even Harvard students. A collaboration by writer and director Nathan D. Johnson ’09, producers Allegra M. Richards ’09 and Julia...
...Heir. Thurs., April 20-Sat., April 22. 8 p.m. Agassiz Theater. $7; $5, student/seniors. Tickets available at box office. When Allegra M. Richards ’09 and Nathan D. Johnson ’09 came to Harvard, neither of them had experience with full-length musicals. In fact, Richards, the executive producer of this year’s freshman musical, “On the Heir,” had never even been a producer before. “We started to work on this project about the beginning of October,” says Richards...
...YEOMEN OF THE GUARD LOCATION: Agassiz Theatre DATES: April 6-April 15, 2006 DIRECTOR: Roxanna K. Myrhum ’05; music direction by Emily Senturia PRODUCER: Margaret D. Maloney ’06 and Charlie I. Miller...
...well-designed set by Courtney E. Thompson ’09, if not quite as grand as the emotional and musical ambitions of the operetta, is limited only by the constraints of the Agassiz. Lighting designer Christen L. McDuffee ’08 made great choices with the multi-tiered set, and the Ravenmaster (Nick Bentley) sported a funny-looking but well-made raven puppet, the symbolism of which I have yet to figure out (as do the two noisy old people who sat next...