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While a Harvard undergraduate, Timothy Mayer '66 overhauled Aeschylus' Eumenides, the last part of the Greek playwright's Oresteia trilogy. The result is a sophisticated, irreverent interpretation called Red Eye. Last weekend at the Agassiz Theater, Orestes' flight from the furies and trial in the Athenian court underwent futher revision in director Patrick Tan's ambitions adaptation of Mayer's play...

Author: By Alexander E. Marashian, | Title: Concept is not Enough | 3/22/1991 | See Source »

...Introduction to Radcliffe Career Services"--Phyllis Stein, director. Agassiz House, Radcliffe Yard, 5:30 p.m. Admission Free...

Author: NO WRITER ATTRIBUTED | Title: Community Calendar | 3/5/1991 | See Source »

Ghungroo South Asian cultural show in the Agassiz Theatre...

Author: NO WRITER ATTRIBUTED | Title: at Harvard | 2/21/1991 | See Source »

More than 50 students and several tutors met Saturday afternoon in the Agassiz Ballroom to discuss their reactions to The Rag, a radical feminist student magazine that was distributed throughout the campus last week...

Author: By E.k. Anagnostopoulos, | Title: Feminist Journal Leads To Emotional Reactions | 2/11/1991 | See Source »

...back, but seldom forward." commented one of the leads at the beginning of Merrily We Roll Along, Stephen Sondheim's backwards musical about a man (Frank) who has it all and hates himself. The first scene occurs in 1979, the last in 1957. In between, audiences at the Agassiz Theater this January were treated to consistently great acting, some good singing hysterically funny, dated costumes...

Author: By Lori E. Smith, | Title: Musical Rolls Along Merrily at Agassiz. | 1/23/1991 | See Source »

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