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...Players had the difficult task of living up to high dramatic and musical standards. Jim Paul conducting the entire show without a score, a token of the professionalism that permeated the production. Under his baton the pit orchestra and several notches above the usual for G&S at Agassiz. In spite of occasionally poor intonation and some floundering in more technical passages, Paul's musicians played with sensitivity and variety, giving Yeomen by far the most exciting theatre orchestra heard around here for along time. The chorus has been well-drilled by Vince Canzoneri, and they negotiated the tongue-twisting...

Author: By Robert G. Kopelson, | Title: The Yeomen of the Guard | 4/22/1967 | See Source »

Improved publicity under the CID will give plays advanced billing from the central agency, therefore selling more tickets and providing enough money for productions of original plays. In addition Miss Moss hopes that House with small cramped stages might be able to put on their shows in Agassiz or Sanders Theatre...

Author: NO WRITER ATTRIBUTED | Title: Drama Buffs Plan House Program To Co-ordinate Plays and Lighting | 4/20/1967 | See Source »

Miss Feltenstein said that the conference would probably be held at Agassiz because Harvard classrooms would be unavailable. This limits the number of students who may participate to 400, she said. Since students from the other 28 schools in the NSA New England region will be invited this means only about 150 Harvard and Radcliffe students will be able to attend...

Author: NO WRITER ATTRIBUTED | Title: RGA Approves Midnight Parietals; Current 25 Hours Increased to 36 | 11/18/1966 | See Source »

...Plautus, brings back Burlesque, and stuffs them into a musical comedy mold. The book, by Burt Shevelove and Larry Gelbart, makes the most of sightgags, puns, and other paraphanalia of low comedy. Stephen Sondheim's music and lyrics move the show along tunefully and cleverly. And the cast at Agassiz is doing justice to this very funny show...

Author: By Timothy Crouse, | Title: A Funny Thing Happened on the Way to the Forum | 11/12/1966 | See Source »

...keep them quiet, for they are much too loud, and although few lyrics get lost, the noise gets painful. Mutes on the brass and a lighter hand on the tympani might help. J.D. McLaughlin's set leaves a maximum amount of clear space for cavorting on the small Agassiz stage. The show is brightly lit, as comedy should be, and the costumes are clashingly colorful and good...

Author: By Timothy Crouse, | Title: A Funny Thing Happened on the Way to the Forum | 11/12/1966 | See Source »

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