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Word: agee (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...program is divided into three parts: youth, manhood, and old age. Thus Romeo's speeches, Polonius's advice, and some of the cautionary sonnets go in part one, and the final section includes the deaths of Romeo, Lear and Clarence, among others...

Author: By Daniel Field, | Title: Shakespeare's Ages of Man | 10/11/1958 | See Source »

Heap abuse on Madison Avenue and General Motors, say what you want about the morals and aesthetics of business, certainly. Point out, too, that the gusty days of the Robber Barons and Captains of Industry have passed away with the Golden Age of Comedy, and that the day-to-days of the organization man just don't have any kind of romantic sock to them...

Author: By Alan H. Grossman, | Title: The Profit of Profit | 10/11/1958 | See Source »

...lecture sponsored by the Social Relations Society last night at Emerson Hall, Sorokin noted the disintegration of the old "sensate" culture as one of the basic trends of our age. If man can avert total destruction in the struggle between the new and the old systems of thought the "dawn of a new, great culture is awaiting the man of the future," he claimed...

Author: NO WRITER ATTRIBUTED | Title: Sorokin Warns 'Sensate Culture' Will End in Total Disintegration | 10/10/1958 | See Source »

...entrenched traces of the old "sensate" culture could only point to more violent struggles in the future. As a result, in 1937 he was able to discount the optimistic hopes of many of his colleagues for a lasting universal peace, and instead said mankind must look forward to an age of "bigger and better wars." Sorokin noted that since that time his most severe critics have been banished to the "ash can of history," and their "apple sauce-sweet theories" have gone with them...

Author: NO WRITER ATTRIBUTED | Title: Sorokin Warns 'Sensate Culture' Will End in Total Disintegration | 10/10/1958 | See Source »

There are certain stage personas that middle-age, middle-class, middle-brow men and women will pay good money to see. One is the dashing international gypsy, suave and prestigious, something of a rascal, preferably done in a clipped British accent. Another is the brusque, dammit-to-hell type society woman, a kind of orthodox Auntie Mame, who bustles around and smokes like a man. The audience, of course, likes to dream themselves into the two for an evening. What the actors do while they walk around in these characters doesn't matter a whole...

Author: By David M. Farquhar, | Title: The Pleasure of His Company | 10/9/1958 | See Source »

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