Word: agee
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Dates: during 1960-1969
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...Age is wasted on the old. Without it, youth is condemned to excess. That's what makes adolescents so saddening and maddening-and adolescence such a groovy movie subject. In Zita, an archetypical French fille named only Annie flits agonizingly between life and death. The daughter of a slain Spanish loyalist, she has sympathy for the world but affection for none of its inhab itants, except her ancient Aunt Zita (Katina Paxinou). One afternoon the girl comes home to find the old lady writhing on the floor. Zita has suffered a stroke, and each gasp edges her closer...
When a heart transplant was suggested and a score of Americans offered to donate their hearts, Ike's doctors declared: "Such a procedure is not indicated because of the general's age and the presence of other major medical conditions"-his widespread artery disease might have affected many vital organs...
Crane was patently a born rebel who delighted in scandalizing his age. But the clearest-and most surprising-picture that emerges from Stallman's meticulous fact-finding is that Crane was not the starving garret poet of popular legend. At his peak, he was well-paid. Convivial and generous, he virtually gave his money away. He was lionized as a celebrity when most of his contemporaries had scarcely finished college. But he was also a frail and sickly young man, and he did have a presentiment that his life-span would be short. He labored desperately to get down...
Perhaps Crane's greatest misfortune was to be born in the U.S. of the 1890s. In a later, more generous age, he could undoubtedly have earned enough money to live well-probably even enough to keep his devoted but high-living mistress in style in the English manor house they occupied before his last illness. As it was, when the tree-blasting lightning struck, he went placidly and obediently, his dog Sponge at his bedside, fully aware, as Willa Gather once said, that "all his life was a preparation for sudden departure...
Spanning the decades from the '40s to A.D. 2158 and beyond, Vonnegut rockets the reader from the old themes of love, identity, loneliness and the poignancy of human loss to stories concerning population explosion, programmed happiness and the emotions of machines. There are space-age satires about an "ethical" birth-control pill that does not prevent conception or solve the population explosion but takes all the kicks out of sex, and a happiness machine that makes people so euphoric they almost starve to death. Man has once again tripped over his own shoelaces. Though Vonnegut is knocking a misplaced...