Word: ageing
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Dates: during 1960-1969
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...period value its creations for their sentimental value and assemble Mickey Mouse watches or Coca-Cola trays. More discerning buyers search for pieces of intrinsically good design. At its best, the style marks the first concentrated attempt to come to grips with the aesthetic challenges of the machine age...
Interior decorators, furniture designers, makers of fine glass, ceramics and fabrics sought to tame the new severities of the Bauhaus. They produced work that did not belie its mass-produced origin, yet sometimes possessed the ease and livability of an earlier, less industrial age. While the style of the day was mechanical, some of its most gifted designers, particularly in the 1920s, were craftsmen who produced signed, custom-designed work for a luxury market. Many were French: Silversmith Jean Puiforcat, Furniture Designer Jacques Ruhlmann, Glassmakers Rene Lalique and Maurice Marinot. In the U.S., Henry Dreyfuss and Norman Bel Geddes designed...
Curves and Angles. Materials and objects proved only variously susceptible to the sensibility of the age. Cut glass, perfume flasks or a bubbly blue glass Steuben amphora look as pristine and crisp today as they did when Gertrude Lawrence was taking her first bows. Ceramie platters with insipid doe-eyed female heads and statuettes of languid girls on the other hand, are likely to be valued only by aficionados of kitsch. Certain themes and color schemes predominated: outrageous colors prompted by Léon Bakst's Ballet Russe sets; Egyptian motifs and Aztec patterns...
...Dressing up is a bore," says Hepburn. "At a certain age, you decorate yourself to attract the opposite sex, and at a certain age, I did that. But I'm past that age." This spareness carries over into her profession. "Addition can make an enormously interesting artist," says Kate, "but the elimination makes a great artist. Simplifying, simplifying, simplifying." She relaxes by playing tennis or taking long walks. When she and Director Michael Benthall worked on The Millionairess, she used to insist that he run around the Central Park reservoir with her every morning. "It nearly killed...
...play taking shape at the Mark Hellinger Theater, Kate plays the Coco of 1953-the Chanel who, at age 70 and after 15 years in retirement, decided to make a comeback by reopening her salon. The plot is as simple as a Chanel suit: Yes, she'll open; No, she won't; Yes, she'll open; No, she won't; Yes, she'll open; Yes, she opens. Her collection is a flop with the Paris fashion world, but not (aha!) with the fresh-eyed buyers from across the Atlantic. Paris may have hated the dresses...