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...1960s rural Maryland. However, when the relationship between the two quickly turns sexual, the white line suggests more of a boundary—one that should not be traversed. It is reminiscent of one of Li’l Bit’s early encounters with Peck at the age of thirteen, when she tells him, “You’ve got to let me–draw the line. And once it’s drawn, you mustn’t cross...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: B.U.'s 'How I Learned' Driven by Powerful Acting | 2/17/2010 | See Source »

Casey’s rare combination of size (6’7) and athleticism (he has a 42 inch vertical leap) is part of the formula that has allowed the freshman to succeed at such a young age...

Author: By Scott A. Sherman, CONTRIBUTING WRITER | Title: Casey Makes Most Of Chance | 2/17/2010 | See Source »

...feel this way.” In the cold context of the album, the line sounds uncertain and second-hand. It seems as if Sade is attempting to hedge their bets with unfeelingly vague definitions of love and safely dulled versions of love songs, but, even in a digital age, these mechanically executed tracks don’t quite...

Author: By Benjamin Naddaff-Hafrey, CRIMSON STAFF WRITER | Title: Sade | 2/17/2010 | See Source »

...It’s the same date as the birthday of Duke Ellington. I’m a big fan of jazz,” Tambellini says. He grew up with his mom and his brother in a working class area of Lucca, a town in Tuscany. At age three he started painting (“I was born an artist,” he says) and at age ten he began studying at the Lucca Art Institute. Tambellini’s town was bombed when he was thirteen, on January 6, 1944, the day of the Italian children?...

Author: By Elizabeth D. Pyjov, CONTRIBUTING WRITER | Title: Tambellini Discusses Blackness at HFA | 2/17/2010 | See Source »

...title track, immediately introducing the multi-layered, complex arrangements which characterize the album’s best songs. Subversive bass lines, syncopated drum beats and a tambourine lay down a solid foundation upon which wild trumpet riffs and trippy synths soon take over, creating an alternately jazzy, new-age feel. Stuart Staples’ oft-commanding vocals seem to politely refrain from overpowering the melodies, neatly weaving themselves into intricate tapestry of disparate sounds. An engaging prelude to the rest of the album, the title track exemplifies what makes the best songs on the record successful: the many layers...

Author: By Paula I. Ibieta, CONTRIBUTING WRITER | Title: Tindersticks | 2/17/2010 | See Source »

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