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Word: agfacolor (lookup in dictionary) (lookup stats)
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...context. Visitors to the Historic Library are now informed in several languages that the pictures were shot by André Zucca, a Frenchman hired by the German magazine Signal to capture scenes of Paris flourishing under Nazi rule. Zucca's bosses' gave him extremely rare and valuable rolls of Agfacolor film to shoot his busy shoppers, café-lounging lovers, parks filled with parents and playing children, and ultra-chic Parisiennes sporting the last word in fashionably enormous eyewear...

Author: /time Magazine | Title: Paris Under the Nazis: Happy Days? | 4/22/2008 | See Source »

...copious surviving archives of Nazi film after Lieberson bought the rights to Speer's Inside the Third Reich. But what altered the film makers' intentions was the discovery, by Film Historian Lutz Becker, of Hitler's own home movies - some five hours of Agfacolor stock, shot mainly by Eva Braun and her friends, of the Führer and his court relaxing (if that is the word) in his mountain retreat at Obersalzberg. The film had been lying un noticed in the U.S. Marine archives in Washington since 1946. Only a fraction of it was usable, partly...

Author: /time Magazine | Title: Time Essay: The Hitler Revival: Myth v.Truth | 5/21/1973 | See Source »

...film has its moving moments. The confrontation scene with the revolting young nephew has a slimy authenticity, and the cook's death is both sentimental and heartrending. The tour of Rome is fairly exciting, and some eye-filling episodes (Agfacolor) have been recorded in the Vatican. The main trouble with the picture: a bad screenplay that requires 14 actors, provides only two real parts...

Author: /time Magazine | Title: Cinema: The New Pictures, may 11, 1959 | 5/11/1959 | See Source »

Somehow this Matterhorn of warmed-over cabbage is not without a certain grandeur, and Director Wolfgang Staudte (Murderers Among Us) has made the most of it. He has dissolved the greasy German sentimentalities of his story in a lovely bath of light and Agfacolor. He has reduced the rigid forms of the stage play to the flowing substance of cinema. And he has aroused his actors to some very fine performances. Actor Messemer skillfully suggests a man who is more than he seems, while Actor Biberti devastatingly portrays a man who is less than he thinks. As for Actress Schell...

Author: /time Magazine | Title: Cinema: The New Pictures, Mar. 16, 1959 | 3/16/1959 | See Source »

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