Word: agitprop
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Dates: during 2000-2009
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...little Sally," one character says to another. "Nothing can kill a show like too much exposition"), and the promise of sharp political satire is lost on the way to a generic cartoon of a greedy corporation oppressing the masses. But when was the last time even sophomoric left-wing agitprop was the subject for a musical--much less one that's so entertaining? The vest-pocket production has outsize energy, as does the terrific, beefy Kurt Weill-like score by Mark Hollmann and Greg Kotis. They aim for comic-operatic heights and keep the audience soaring...
...relatively new to the festival that Master of the Arts at Harvard John Lithgow ’67 and President Neil Rudenstine first launched in 1993, Schorr has had a great deal of experience in the arts. She has directed various spectacles around Boston, everything from feminist agitprop to theatrical fashion shows and a live philosophy-and-culture game show. With her background in writing, editing, theater and education Schorr says that she “enjoy[s] putting on shows that don’t take themselves too seriously but challenge people to think...
...death-row inmate, the role for which Susan Sarandon won an Academy Award. The score is by Jake Heggie, a gifted purveyor of bittersweet art songs, and the libretto is by playwright-opera buff Terrence McNally (The Lisbon Traviata, Love! Valour! Compassion!). Will this brand-name opera be agitprop or art--or both? Whatever the results, the timing of the premiere at the War Memorial Opera House on Oct. 7, less than two months after Texas' controversial double execution, could scarcely be better...
...minutes, say--and ditched the rest of this mechanical, insultingly didactic placard. James Woods begins playing besieged Cincinnati museum director Dennis Barrie less as a saint than a fish-out-of-SoHo aesthete. But the nuance is soon lost in a film that wants to be an agitprop documentary, interrupting its storyline with interviews of mostly pro-Mapplethorpe notables. The film isn't obligated to be neutral, but it's so bullying and one-sided that a viewer feels guilty for agreeing with it. Defending an artist who preferred aesthetics to righteousness, Dirty Pictures sadly advances exactly the opposite...