Search Details

Word: agitprop (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...since. The '93 Biennial is anxious to present all its artists as witnesses, just like Holliday. Witnesses to what? To their own feelings of exclusion and marginalization. To a world made bad for blacks, Latinos, gays, lesbians and women in general. It's one big fiesta of whining agitprop, in the midst of which a few genuine works of art and some sharp utterances (mainly in video) manage to survive...

Author: /time Magazine | Title: Art: The Whitney Biennial: A Fiesta of Whining | 3/22/1993 | See Source »

...meets boy. Boy gets AIDS. Play gets raves. As much as penthouse comedy dominated the '20s or political agitprop informed the '30s, AIDS has defined American theater this past decade -- both in the ravaging of the creative community and in the flowering of dramas on the subject. There are angry plays (The Normal Heart), sweet plays (As Is), pageants (Angels in America) and musicals (Falsettos). Some soar into poignant metaphor. Prelude to a Kiss and Marvin's Room are really about responsibilities of marriage and family; the plays say that relationships of love or blood must be sustained even...

Author: /time Magazine | Title: Celibacy, The Safest Sex | 2/1/1993 | See Source »

...carry their political messages, but luckily for art history they hardly even had electricity. Hence the Russian artists satisfy our nostalgia for that lost phoenix of Modernist desire, an art that was both experimental and politically effective. To this day, one can't look at the Constructivist designs for agitprop events -- the red panels of Natan Altman's bold transformation of the huge Palace Square in Leningrad for the first birthday of the October Revolution, or the steel-truss tribune designed by Lissitzky to carry Lenin forward like a high diver over the heads of a crowd -- without a feeling...

Author: /time Magazine | Title: Art: Russia's Great Flowering | 11/2/1992 | See Source »

...convictions of yesterday." Lissitzky's "prouns" -- a term he coined from the Russian words meaning project of the affirmation of the new -- resemble plans or aerial views of Utopian structures, an abstract New Jerusalem in paint. They are a middle ground between Malevich's absolutism and the more pragmatic agitprop efforts of artists...

Author: /time Magazine | Title: Art: Russia's Great Flowering | 11/2/1992 | See Source »

...Agitprop--exhibit sponsored by student group for mobilization of the visual arts. Featuring the work of Bill Brown, Joshua Byard, and Tom Plucinsky. Installation show. Adams House Squash Courts. 10 Linden Street. Opening from...

Author: NO WRITER ATTRIBUTED | Title: At Harvard | 2/6/1992 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | Next