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...divided into five different movements: the Kyrie, the Gloria, the Credo, the Sanctus and the Agnus Dei. The first two are generally known for following a more classical style of church music, whereas the last three have more dramatic elements not found in most traditional religious music...

Author: By Tiffany I. Hsieh, CRIMSON STAFF WRITER | Title: Birthday Bash | 3/7/2003 | See Source »

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Author: /time Magazine | Title: News Quiz Crossword Jun. 5, 2000 | 6/5/2000 | See Source »

After the Sanctus and Benedictus, the concert closed on the final part of the Mass, the Agnus Dei. Antony Pay's flawless clarinet solos blended well with the alternating vocal sections, and a distinctive period horn sound, in some very well played passages, filled out the instrumental solo sections. The combination of orchestra, chorus, solo vocal and solo instrumental lines in this final piece created a very pleasing sense of unity to end the concert. The only real problem with the program was that with only 60 minutes of music, it was not enough...

Author: By Chad B. Denton, CONTRIBUTING WRITER | Title: Period Beethoven Program Charms All | 10/23/1998 | See Source »

...Harvard Glee Club joined for the Vaughan Williams Mass. The "Kyrie" initially sounded thin and tentative, lacking in emotion or conviction. However, the combined choirs suddenly burst out in their full glory in the "Gloria," with the rich, warm sound that distinguishes the Holden choirs. Likewise, the "Agnus Dei" was developed beautifully both melodically and harmonically. It was particularly impressive that the two groups, which do not rehearse together on a regular basis, were able to blend so well. In the same vein, it is a tribute to the excellence of both groups that the male voices did not overshadow...

Author: By Felicia Wu, CONTRIBUTING WRITER | Title: 'Music From the British Isles' Hits Holiday Note | 12/12/1997 | See Source »

...result, Zurbaran is known today by a tiny part of his output, maybe half a dozen "typical" paintings, single images of great power and reductive concentration: a Paschal lamb, the Agnus Dei, lying in darkness mutely trussed for sacrifice; or a row of clay vessels as dense and grand as architecture, ritually arranged as though on an altar. Perhaps the most remarkable of all, usually exhibited at the National Gallery in London, is the life-size kneeling figure of St. Francis in Meditation, painted at the height of Zurbaran's career, in the late 1630s. This...

Author: /time Magazine | Title: Art: From The Dark Heart Of Spain | 10/5/1987 | See Source »

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