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Word: agnus (lookup in dictionary) (lookup stats)
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...soloists, unfortunately, were considerably less impressive than the choir. Both women soloists sang with wobbly gusto, though none too steady in pitch. Tenor Gartside sounded forced and dry while bass Hester, the best of the four, masterfully sang his solo at the beginning of the Agnus...

Author: By S.r. Morris, | Title: Late Great Beethoven | 3/6/1974 | See Source »

Bernstein strode in to warm applause and immediately began conducting the mass. The music is a moving interplay of chorus and orchestra, ending with the words of the Agnus Dei, "grant us thy peace...

Author: By E.j. Dionne and Dorothy A. Lindsay, S | Title: Demonstrators Face Nixon: Two Worlds in Washington | 1/29/1973 | See Source »

Divine Hair-Mass in F, by Gait MacDermot (RCA, $5.98). Lackluster settings of the Sanctus, Benedictus, Agnus Dei, Kyrie, Gloria, even the Lord's Prayer, combed into hits from MacDermot's Hair, just as they were in the original presentation last year at Manhattan's Cathedral of St. John the Divine...

Author: /time Magazine | Title: Music: Pop Goes the Bible | 2/28/1972 | See Source »

...work takes its form from the Catholic Mass, the Kyrie eleison, the Gloria, the Credo, the Sanctus and the Agnus Dei. As more or less ironic counterpoint, a populist band of sinners and dancers variously sing, intone or howl doubts and questions in a mélange of musical styles and pop-lyric words by Bernstein and Stephen Schwartz, the 23-year-old creator of Godspell, the musical version of the Gospel according to St. Matthew. The dramatic climax of the work is the disruption of the Mass. It also involves the spiritual shattering of a young man who begins...

Author: /time Magazine | Title: Music: A Mass for Everyone, Maybe | 9/20/1971 | See Source »

...Mass, has an unusual approach to the piece. His interpretation was generally a novel one, filled with quick tempi and done with a bit too much fortissimo for my taste. But the piece hung together remarkably well under his direction, reaching its peaks in the Credo and the Agnus Dei. There were a few minor flaws, of course; the Kyrie went a bit too fast, the strings weakened during the Sanctus, and the horns were out of shape for the Gloria. The bass did not project as well as it could have, but this was the only real trouble with...

Author: By Michael Ryan, | Title: The Concertgoer HRO | 11/16/1970 | See Source »

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