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...greatest effects in the quieter passages that grip the heart after all the thunder. The superb Sanctus calls for a tenor solo in which, by a dazzling piece of orchestration, the single, defenseless human voice is set off against the relentless clash of cymbals; and in the sweet, concluding Agnus Dei, there are chilling traces of jagged pagan rhythms (later used by Stravinsky). Conductor Munch tenderly and forcefully drove toward the end, spinning out the Amen with a loving final touch. A cathedral hush hung beneath the bare steel rafters; then the crowd leaped up and cheered...

Author: /time Magazine | Title: Music: Requiem at Tanglewood | 8/30/1954 | See Source »

...Club, a 75-piece orchestra and three male soloists. Lovers of La Bohème and Tosca recognized in the youthful sacred work hints of those later sensuous operas. Listeners familiar with the composer's Manon Lescaut got a bit of a turn at the end: the peaceful Agnus Dei of the Mass was note-for-note identical with Manon's madrigal...

Author: /time Magazine | Title: Music: Rediscovered Mass | 7/21/1952 | See Source »

...little to be said except to commend them all. The chorus sang excellently, and they knew exactly what they were doing, which is always a help. Ditto for the orchestra. The soloists, Ellen Faull, Eunice Alberts, David Lloyd, and George London, were almost uniformly fine (I found the Agnus Dei particularly well done), and over them all was Koussey, red-faced and snorting, combining his usual technical perfection with a magnificent conception of what it was all about, outdoing himself, as the saying goes. Champagne and lotus blossoms for all hands...

Author: NO WRITER ATTRIBUTED | Title: The Music Box | 4/28/1948 | See Source »

Bach: Sacred Arias (Carol Brice, contralto, with the Columbia Broadcasting Concert Orchestra, Daniel Saidenberg conducting; Columbia, 4 sides). The Agnus Dei and Qui Sedes from the B Minor Mass, and two arias from the Magnificat, warmly sung by a Negro of considerable talent, who is not yet a Marian Anderson. Recording: good...

Author: /time Magazine | Title: Music: New Records, Sep. 15, 1947 | 9/15/1947 | See Source »

From the opening blasts of the trombone choir to the contrapuntal majesties of the Sanctus and the serene Agnus Dei, Bach's B Minor took nearly three hours. During the 45-minute intermission the choir drank coffee and the audience gossiped over Cokes...

Author: /time Magazine | Title: Music: Super-Duper Bach | 3/4/1946 | See Source »

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