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...famous, has now written a piece derived almost entirely from on twelve-tone row. Everyone knew it was coming: the direction of the wind could be ascertained in 192, with the inversions and retrogrades of the Cantata; then real twelve-tone sections appeared in Canticum Sacrum and Agon: then came Threni ("Threnodies"), a long (for Stravinsky) setting of texts from the Vulgate Lamentations of Jeremiah. Nor was it hard to predict that this piece would sound like Stravinsky, and not like the Viennese, the young serialists, or anybody else. I did find one or two places which reminded me that...

Author: NO WRITER ATTRIBUTED | Title: Stravinsky: Threni | 1/13/1960 | See Source »

...agon of Henry Fordyce, Jr. took place in the leafy shadow of the world tree in the Harkness Commons Dining room, where the flower of the graduate schools daily acquires its breakfast...

Author: By Julius Novick, | Title: A Blow for Freedom | 10/16/1959 | See Source »

...Henry had liked coffee for breakfast, there would have been no agon. If not for his fateful passion for fruit juice, Harkness Commons would never have been darkened by the dragon-wing of history. Henry's greatness was thrust upon him. All he wished to do was to exchange his breakfast coffee (his legal right by contract) for a second fruit juice...

Author: By Julius Novick, | Title: A Blow for Freedom | 10/16/1959 | See Source »

...week, before leaving New York, the Bolshoi company watched the City Ballet rehearse three works by George Balanchine (see below). The Russians applauded the U.S. group's discipline, but were clearly puzzled by a modern style alien to their own. At one point during Stravinsky's atonal Agon (1957), Ballerina Galina Ulanova unbelievingly recalled an earlier (1911), romantic work by the same composer. "This," she asked a companion, "is the same Stravinsky who wrote Petrouchka...

Author: /time Magazine | Title: Music: No. 2 Pushechnaya Street | 5/25/1959 | See Source »

Admired Rival. Craft has become so familiar with Stravinsky's musical thinking (he meets with him twice a day) that he has conducted the first performances of works such as Agon and In Memoriam Dylan Thomas. Some day he hopes to write a comprehensive book about Stravinsky, "this incredibly fresh man." But, he adds, "It is not yet time; he is not finished...

Author: /time Magazine | Title: Music: Conductor of Moderns | 1/19/1959 | See Source »

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