Word: aguecheek
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...Viola-Aguecheek duel is lengthy (there must be five minutes without a word), but hilarious all the way. And to inspirit the combatants, Berghof has his Dancing Zany beat a drum during the dueling--an historically authentic touch. There are many other instances of inspired staging. And at the end, instead of having everyone exit and leave Feste alone to sing the closing song, Berghof brings everybody on stage, even Malvolio, and has each principal sing a solo bit as in a massed opera buffa finale...
...best of the low comic performances is also the most delicate: John Neville's pathetic, feeble-minded, utterly out-of-it Sir Andrew Aguecheek. Dudley Jones plays Feste as a sad, second-rate jester who has a hard time making a living, and his fine performance helps to keep the plaintive note running through the comic scenes (though it points up the fact that William S. Gilbert's Jack Point, constructed on the same basis, is a more interesting character than Feste). Richard Wordsworth (Malvolio), Joss Ackland (Sir Toby Belch), and the other comics play conventionally, with the down...
...obliging. Too often in the theater the Illyrian glamour, the lovely songs, the immortal lines, the great bard himself, dissolve and leave but the plot behind. Now girl-in-boy's clothing palls, now which-twin-is-which proves wearying, now Sir Toby Belch and Sir Andrew Aguecheek help explain why "carouse" can be one of the most shuddersome euphemisms in the reviewer's lingo...
Aching Sincerity. Actor Guinness has never been out of a job since. Three months later he was playing Osric to Gielgud's Hamlet, and the critics took special note of his "admirable popinjay." Then it was William ("a wondrous blank") in As You Like It, Sir Andrew Aguecheek ("a collector's item") in Twelfth Night, Lorenzo ("meditative, star-struck beauty that takes the breath away") in The Merchant of Venice. And at 24, he played his first Hamlet in an Old Vic production directed by Tyrone Guthrie. Most critics agreed that the Hamlet lacked force, but one wrote...
...Twelfth Night is the kind of play that gives classics a bad name. The 350-year-old romantic comedy acts its age. Its plot conventions are no less archaic than its Elizabethan jargon, e.g., tillyvally, bawcock, clodpole. Such venerable comics as Sir Toby Belch and Sir Andrew Aguecheek are no subtler or funnier than the names they bear. However fetchingly its poetry may glisten through the monkeyshines, it is a comedy of errors usually compounded in production. To handle this thorny flower at all on sponsored TV takes courage beyond the call of drama; to evoke as much fragrance...